• Kaise diwali manaiye hum..

    #KaiseDiwaliManayeHum #DilAurDiyaDonoBujheHain #FestivalFeels #HappyDiwali #ThodaDukhThodiMasti #SmilesAndSighs

    Kaise diwali manaiye hum..ЁЯШкЁЯШБ #KaiseDiwaliManayeHum #DilAurDiyaDonoBujheHain #FestivalFeels #HappyDiwali #ThodaDukhThodiMasti #SmilesAndSighs
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  • рдЖрдк рд╕рднреА рдХреЛ рдирд░рдХ рдЪрддреБрд░реНрджрд╢реА рд░реБрдк рдЪреМрджрд╕ рд╡ рдЫреЛрдЯреА рджреАрдкрд╛рд╡рд▓реА рдХреА рд╣рд╛рд░реНрджрд┐рдХ рд╢реБрднрдХрд╛рдордирд╛рдПрдВ ред

    рдпрд╣ рдкрд░реНрд╡ рдЖрдкрдХреЗ рдЬреАрд╡рди рдореЗрдВ рд╕реБрдЦ рд╕рдореГрджреНрдзрд┐ рдФрд░ рдЖрдирдВрдж рд▓реЗрдХрд░ рдЖрдПредред

    #diwali #dipawali #narkchaturdashi #scrolllink
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  • рдЬрдп рд╕реВрд░реНрдп рджреЗрд╡
    'реР рдРрд╣рд┐ рд╕реВрд░реНрдп рд╕рд╣рд╕реНрддреНрд░рд╛рдВрд╢реЛрдВ рддреЗрдЬреЛ рд░рд╛рд╢реЗ рдЬрдЧрддреНрдкрддреЗ, рдЕрдиреБрдХрдВрдкрдпреЗрдорд╛рдВ рднрдХреНрддреНрдпрд╛, рдЧреГрд╣рд╛рдгрд╛рд░реНрдШрдп рджрд┐рд╡рд╛рдХрд░:':

    рдпрд╣ рдордВрддреНрд░ рднреА рдордирд╡рд╛рдВрдЫрд┐рдд рдлрд▓ рдкреНрд░рд╛рдкреНрдд рдХрд░рдиреЗ рдХреЗ рд▓рд┐рдП рдкрдврд╝рд╛ рдЬрд╛рддрд╛ рд╣реИред
    !! рдЬрдп рд╢реНрд░реА рд╕реВрд░реНрдпрджреЗрд╡ !!

    #SuryaNarayan #shubhprabhat #scrolllink #hindu
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  • рдЬрдп рд╕реВрд░реНрдп рдирд╛рд░рд╛рдпрдг рджреЗрд╡!

    рд╕реВрд░реНрдп рджреЗрд╡ — рдкреНрд░рдХрд╛рд╢, рдКрд░реНрдЬрд╛ рдФрд░ рдЬреАрд╡рди рдХреЗ рд╕реНрд░реЛрддред
    рдЬреЛ рдЕрдВрдзрдХрд╛рд░ рдорд┐рдЯрд╛рдХрд░ рд╕рджрд╛ рд╕рддреНрдп рдХреЗ рдорд╛рд░реНрдЧ рдХреЛ рдкреНрд░рдХрд╛рд╢рд┐рдд рдХрд░рддреЗ рд╣реИрдВред
    рдЙрдирдХреА рдХрд┐рд░рдгреЛрдВ рд╕реЗ рд╣реА рд╕реГрд╖реНрдЯрд┐ рдореЗрдВ рдЬреАрд╡рди рдХреА рд▓рдп рдмрдиреА рд░рд╣рддреА рд╣реИред

    рдЗрд╕ рдкрд╡рд┐рддреНрд░ рдкреНрд░рднрд╛ рд╕реЗ рд╣рдо рд╕рдмрдХреЗ рдЬреАрд╡рди рдореЗрдВ рдЙрдЬрд╛рд▓рд╛,
    рд╕реНрд╡рд╛рд╕реНрдереНрдп, рд╢рдХреНрддрд┐ рдФрд░ рд╕рдлрд▓рддрд╛ рдХрд╛ рд╕рдВрдЪрд╛рд░ рд╣реЛред

    реР рдШреГрдгрд┐рдГ рд╕реВрд░реНрдпрд╛рдп рдирдордГред

    #sury #morning #shubhPrabhat #scrolllink
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  • рдЪрд╛рдгрдХреНрдп рдиреАрддрд┐
    рдЪрд╛рдгрдХреНрдп рдиреАрддрд┐
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  • Before the Temples: The Panjurli Daiva of Tulunadu

    "Paatri povonji, Daiva barpi. Mana povonji, miru barpi." (The oracle departs, the Daiva arrives. The human departs, the wild arrives.)

    In the heart of Tulunadu, where the padi (ancient sacred grove) breathes with the spirits of the land, the air does not ask for devotion. It demands it. It is thick with the scent of wet bolpu (laterite soil) and the promise of the Kar (monsoon). Here, Bhakti is not a gentle prayer, it is a trembling surrender to a force as raw as the first thunderclap. Here, Bhakti is for Panjurli.

    They do not believe in this Daiva (spirit deity). They know it. They feel it in the shiver that runs through the areca grove, in the fierce protectiveness that guards their threshold. Panjurli Daiva was not crafted by dreamers, but unleashed from the very sweat of the Divine, a primal roar given form. To offer Bhakti to Panjurli is to offer respect to the storm.

    The Murti (sacred mask/idol) is their focal point. It is not a face, but a convergence of power. Forged in silver and gold, its boar visage is a permanent challenge, the kodu (tusks) not mere metal but instruments of divine surgery, meant to gore out the infection of dosha (sin/impurity). When the devotees, the saris, gather, their gaze is not one of adoration, but of awe struck vigilance.

    When the drums (Dammam─Б) begin their frantic, heartbeat rhythm, it is not a call to prayer. It is a summons. The air thickens, heavy with the scent of crushed areca flowers and burning incense. The Paatri, the vessel, is no longer a man. He is a conduit. His body contorts, a puppet to a force that is anything but graceful. It is the brute, grounding shudder of the boar. His dance is not fluid, it is a powerful, stomping, a ritual of claiming territory, of shaking the very foundations of the human world to remind it of the wild one that lies beneath.

    Panjurli does not whisper sweet promises. It speaks in a voice that is a low, guttural grunt, a gravelly torrent of truth. It is the voice of the land itself, judge, jury, and protector. It roots out deceit, exposes hidden sins, and enforces the sacred codes of the community. Its justice is not nuanced, it is as direct and unforgiving as a charging boar. To stand before Panjurli is to stand naked before the raw conscience of nature, stripped of all pretense.

    This is not a god you love. This is a force you revere. A power you fear with a fear that is the beginning of wisdom. Panjurli is the spine chilling reminder that the land we build upon is alive, watching, and must be respected. It is the ancient, brute root that holds the community fast, lest it be washed away by the monsoon of its own transgressions.

    "Mana bhakti botji ayi. Mana baka didi ayi." (Our devotion is a raw offering. Our prayer is a naked truth.)"

    #pajurli #kantara #bhakti #scrolllink
    Before the Temples: The Panjurli Daiva of Tulunadu "Paatri povonji, Daiva barpi. Mana povonji, miru barpi." (The oracle departs, the Daiva arrives. The human departs, the wild arrives.) In the heart of Tulunadu, where the padi (ancient sacred grove) breathes with the spirits of the land, the air does not ask for devotion. It demands it. It is thick with the scent of wet bolpu (laterite soil) and the promise of the Kar (monsoon). Here, Bhakti is not a gentle prayer, it is a trembling surrender to a force as raw as the first thunderclap. Here, Bhakti is for Panjurli. They do not believe in this Daiva (spirit deity). They know it. They feel it in the shiver that runs through the areca grove, in the fierce protectiveness that guards their threshold. Panjurli Daiva was not crafted by dreamers, but unleashed from the very sweat of the Divine, a primal roar given form. To offer Bhakti to Panjurli is to offer respect to the storm. The Murti (sacred mask/idol) is their focal point. It is not a face, but a convergence of power. Forged in silver and gold, its boar visage is a permanent challenge, the kodu (tusks) not mere metal but instruments of divine surgery, meant to gore out the infection of dosha (sin/impurity). When the devotees, the saris, gather, their gaze is not one of adoration, but of awe struck vigilance. When the drums (Dammam─Б) begin their frantic, heartbeat rhythm, it is not a call to prayer. It is a summons. The air thickens, heavy with the scent of crushed areca flowers and burning incense. The Paatri, the vessel, is no longer a man. He is a conduit. His body contorts, a puppet to a force that is anything but graceful. It is the brute, grounding shudder of the boar. His dance is not fluid, it is a powerful, stomping, a ritual of claiming territory, of shaking the very foundations of the human world to remind it of the wild one that lies beneath. Panjurli does not whisper sweet promises. It speaks in a voice that is a low, guttural grunt, a gravelly torrent of truth. It is the voice of the land itself, judge, jury, and protector. It roots out deceit, exposes hidden sins, and enforces the sacred codes of the community. Its justice is not nuanced, it is as direct and unforgiving as a charging boar. To stand before Panjurli is to stand naked before the raw conscience of nature, stripped of all pretense. This is not a god you love. This is a force you revere. A power you fear with a fear that is the beginning of wisdom. Panjurli is the spine chilling reminder that the land we build upon is alive, watching, and must be respected. It is the ancient, brute root that holds the community fast, lest it be washed away by the monsoon of its own transgressions. "Mana bhakti botji ayi. Mana baka didi ayi." (Our devotion is a raw offering. Our prayer is a naked truth.)" #pajurli #kantara #bhakti #scrolllink
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  • рд╢реБрдн рдЫреЛрдЯреА рджреАрдкрд╛рд╡рд▓реА (19 рдЕрдХреНрдЯреВрдмрд░ 2025 )

    рдЖрдЬ рд░реВрдк рдЪреМрджрд╕, рдирд░рдХ рдЪрддреБрд░реНрджрд╢реА, рдЫреЛрдЯреА рджреАрдкрд╛рд╡рд▓реА рдФрд░ рдХрд╛рд▓реА рдЪреМрджрд╕ рд╣реИ...

    *рдкреВрдЬрд╛ рд╕реЗ рднрд░реА рдерд╛рд▓реА рд╣реИ*
    *рдЪрд╛рд░реЛрдВ рдУрд░ рдЦреБрд╢рд╣рд╛рд▓реА рд╣реИ*
    *рдЖрдУ рдорд┐рд▓рдХреЗ рдордирд╛рдПрдВ рдпреЗ рдкрд░реНрд╡*
    *рдЖрдЬ рдЫреЛрдЯреА рджрд┐рд╡рд╛рд▓реА ( рд░реВрдкрдЪреМрджрд╕ ) рд╣реИред*
    рдЧрдЬрд╛рдирдирдВ рднреВрдд рдЧрдгрд╛рджрд┐ рд╕реЗрд╡рд┐рддрдВ рдХрдкрд┐рддреНрде рдЬрдВрд╡реВ рдлрд▓ рдЪрд╛рд░реВ рднрдХреНрд╖рдгрдореН
    рдЙрдорд╛рд╕реБрддрдВ рд╢реЛрдХ рд╡рд┐рдирд╛рд╢рдХрд╛рд░рдХрдореН рдирдорд╛рдорд┐ рдмрд┐рдШрдиреЗрд╢реНрд╡рд░ рдкрд╛рдж рдкрдВрдХрдЬрдВ

    рд╕рд░реНрд╡рд╡рд┐рдШреНрдирд╣рд░рдВ рджреЗрд╡рдВ рд╕рд░реНрд╡рд╡рд┐рдШреНрдирд╡рд┐рд╡рд░реНрдЬрд┐рддрдореНред
    рд╕рд░реНрд╡рд╕рд┐рджреНрдзрд┐рдкреНрд░рджрд╛рддрд╛рд░рдВ рд╡рдиреНрджреЗрд╜рд╣рдВ рдЧрдгрдирд╛рдпрдХрдореНред

    рд░реВрдк рдЪреМрджрд╕ рдХреА рд╢реБрдн рддрд┐рдереАред
    рдкрдВрдЪрд╛рдВрдЧ рдХреЗ рдЕрдиреБрд╕рд╛рд░ рд░реВрдк рдЪрддреБрд░реНрджрд╢реА рдХрд╛ рдкрд╛рд╡рди рдкрд░реНрд╡ рд╣рд░ рд╕рд╛рд▓ рдХрд╛рд░реНрддрд┐рдХ рдорд╛рд╕ рдХреЗ рдХреГрд╖реНрдгрдкрдХреНрд╖ рдХреА рдЪрддреБрд░реНрджрд╢реА рддрд┐рдерд┐ рдХреЛ рдордирд╛рдпрд╛ рдЬрд╛рддрд╛ рд╣реИ. рдЗрд╕ рд╕рд╛рд▓ рдпрд╣ рдкрд╛рд╡рди рддрд┐рдерд┐ 19 рдЕрдХреНрдЯреВрдмрд░ 2025 рдХреЛ рджреЛрдкрд╣рд░ 01:51 рдмрдЬреЗ рдкреНрд░рд╛рд░рдВрдн рд╣реЛрдХрд░ 20 рдЕрдХреНрдЯреВрдмрд░ 2025 рдХреЛ рджреЛрдкрд╣рд░ 03:44 рдмрдЬреЗ рддрдХ рд░рд╣реЗрдЧреА.

    рдХрд╛рд░реНрддрд┐рдХ рдорд╛рд╕ рдХреА рдХреГрд╖реНрдг рдкрдХреНрд╖ рдХреА рдЪрддреБрд░реНрджрд╢реА рддрд┐рдерд┐ рдпрд╛рдиреА рдХрд┐ *рдирд░рдХ рдЪрддреБрд░реНрджрд╢реА 19 рдЕрдХреНрдЯреВрдмрд░ рджреЛрдкрд╣рд░ 1:51 рдкрд░ рд╢реБрд░реВ рд╣реЛ рдЬрд╛рдПрдЧреА рдФрд░ рдЗрд╕рдХрд╛ рд╕рдорд╛рдкрди 20 рдЕрдХреНрдЯреВрдмрд░ рдХреЛ рджреЛрдкрд╣рд░ 3:44 рдкрд░ рд╣реЛрдЧрд╛.* рдорд╛рдиреНрдпрддрд╛рдУрдВ рдХреЗ рдЕрдиреБрд╕рд╛рд░, рдЫреЛрдЯреА рджрд┐рд╡рд╛рд▓реА рдХрд╛ рддреНрдпреЛрд╣рд╛рд░ рд╕рдВрдзреНрдпрд╛ рдХрд╛рд▓ рдореЗрдВ рдордирд╛рдпрд╛ рдЬрд╛рддрд╛ рд╣реИ, рдЗрд╕рд▓рд┐рдП рдпрд╣ рдкрд░реНрд╡ 19 рдЕрдХреНрдЯреВрдмрд░ рджрд┐рди рд░рд╡рд┐рд╡рд╛рд░ рдХреЛ рдордирд╛рдпрд╛ рдЬрд╛рдПрдЧрд╛ред

    рдирд░рдХ рдЪрддреБрд░реНрджрд╢реА рдХреЛ рд░реВрдк рдЪреМрджрд╕ рдХреЗ рдирд╛рдо рд╕реЗ рднреА рдЬрд╛рдирд╛ рдЬрд╛рддрд╛ рд╣реИ рдФрд░ рдЫреЛрдЯреА рджрд┐рд╡рд╛рд▓реА рднреА рдХрд╣рддреЗ рд╣реИрдВ, рдЗрд╕ рджрд┐рди рднрдЧрд╡рд╛рди рд╡рд┐рд╖реНрдгреБ рдХреЗ рдЕрд╡рддрд╛рд░ рд╢реНрд░реАрдХреГрд╖реНрдг рдиреЗ 'рдирд░рдХрд╛рд╕реБрд░' рдирд╛рдордХ рд░рд╛рдХреНрд╖рд╕ рдХрд╛ рд╡рдз рдХрд┐рдпрд╛ рдерд╛ред рд╢реНрд░реАрдХреГрд╖реНрдг рдиреЗ рдирд░рдХрд╛рд╕реБрд░ рдХреЗ рдмрдВрджреА рдЧреГрд╣ рдореЗрдВ рдХреИрдж 16 рд╣рдЬрд╛рд░ рд╕реЗ рдЬреНрдпрд╛рджрд╛ рдорд╣рд┐рд▓рд╛рдУрдВ рдХреЛ рдЖрдЬрд╛рдж рдХрд░рд╛рдпрд╛ рдерд╛ред рддрдм рд╕реЗ рдЫреЛрдЯреА рджрд┐рд╡рд╛рд▓реА рдХреЛ рдирд░рдХ рдЪрддреБрд░реНрджрд╢реА рдХреЗ рддреМрд░ рдкрд░ рдордирд╛рдпрд╛ рдЬрд╛рддрд╛ рд╣реИред
    рдкреНрд░рдердо рдкреВрдЬреНрдп рдЧреМрд░реАрдирдВрджрди рд╢реНрд░реА рдЧрдгреЗрд╢ рдЬреА рдХреА рдЕрд╕реАрдо рдХреГрдкрд╛ рдЖрдк рдФрд░ рдЖрдкрдХреЗ рдкрд░рд┐рд╡рд╛рд░ рдкрд░ рд╕рджреИрд╡ рдмрдиреА рд░рд╣реЗ,рдЖрдк рд╕рднреА рдХрд╛ рджрд┐рди рд╢реБрдн рдФрд░ рдордЩреНрдЧрд▓рдордп рд╣реЛ!

    рджреЛрд╕реНрддреЛрдВ рдЖрдк рд╡ рдЖрдкрдХреЗ рд╕рдкрд░рд┐рд╡рд╛рд░ рдХреЛ *рдЫреЛрдЯреА рджреАрдкрд╛рд╡рд▓реА, рд░реВрдкрдЪреМрджрд╕* рдХреА рд╣рд╛рд░реНрджрд┐рдХ рдмрдзрд╛рдИ рдПрд╡рдВ рдЕрдирдиреНрдд рд╢реБрднрдХрд╛рдордирд╛рдПрдВред
    рдЖрдкрдХрд╛ рдЬреАрд╡рди рдордВрдЧрд▓рдордп рд╣реЛред рдЬрдп рд╢реНрд░реА рд░рд╛рдзреЗ рдХреГрд╖реНрдгред

    реР рд╢реНрд░реА рдЧрдгреЗрд╢рд╛рдп рдирдордГ ЁЯЩПЁЯП╗
    ЁЯЩПЁЯП╗ реР рд╢реНрд░реА рдорд╣рд╛ рд▓рдХреНрд╖реНрдореА рдирдордГ ЁЯЩПЁЯП╗

    #narakchadurdashi #diwali #scrolllink #narakasur
    ЁЯкФрд╢реБрдн рдЫреЛрдЯреА рджреАрдкрд╛рд╡рд▓реА (19 рдЕрдХреНрдЯреВрдмрд░ 2025 ) ЁЯкФ рдЖрдЬ рд░реВрдк рдЪреМрджрд╕, рдирд░рдХ рдЪрддреБрд░реНрджрд╢реА, рдЫреЛрдЯреА рджреАрдкрд╛рд╡рд▓реА рдФрд░ рдХрд╛рд▓реА рдЪреМрджрд╕ рд╣реИ... ЁЯкФ *рдкреВрдЬрд╛ рд╕реЗ рднрд░реА рдерд╛рд▓реА рд╣реИ* ЁЯкФ *рдЪрд╛рд░реЛрдВ рдУрд░ рдЦреБрд╢рд╣рд╛рд▓реА рд╣реИ* ЁЯкФ *рдЖрдУ рдорд┐рд▓рдХреЗ рдордирд╛рдПрдВ рдпреЗ рдкрд░реНрд╡* ЁЯкФ *рдЖрдЬ рдЫреЛрдЯреА рджрд┐рд╡рд╛рд▓реА ( рд░реВрдкрдЪреМрджрд╕ ) рд╣реИред* рдЧрдЬрд╛рдирдирдВ рднреВрдд рдЧрдгрд╛рджрд┐ рд╕реЗрд╡рд┐рддрдВ рдХрдкрд┐рддреНрде рдЬрдВрд╡реВ рдлрд▓ рдЪрд╛рд░реВ рднрдХреНрд╖рдгрдореН рдЙрдорд╛рд╕реБрддрдВ рд╢реЛрдХ рд╡рд┐рдирд╛рд╢рдХрд╛рд░рдХрдореН рдирдорд╛рдорд┐ рдмрд┐рдШрдиреЗрд╢реНрд╡рд░ рдкрд╛рдж рдкрдВрдХрдЬрдВ рд╕рд░реНрд╡рд╡рд┐рдШреНрдирд╣рд░рдВ рджреЗрд╡рдВ рд╕рд░реНрд╡рд╡рд┐рдШреНрдирд╡рд┐рд╡рд░реНрдЬрд┐рддрдореНред рд╕рд░реНрд╡рд╕рд┐рджреНрдзрд┐рдкреНрд░рджрд╛рддрд╛рд░рдВ рд╡рдиреНрджреЗрд╜рд╣рдВ рдЧрдгрдирд╛рдпрдХрдореНред рд░реВрдк рдЪреМрджрд╕ рдХреА рд╢реБрдн рддрд┐рдереАред рдкрдВрдЪрд╛рдВрдЧ рдХреЗ рдЕрдиреБрд╕рд╛рд░ рд░реВрдк рдЪрддреБрд░реНрджрд╢реА рдХрд╛ рдкрд╛рд╡рди рдкрд░реНрд╡ рд╣рд░ рд╕рд╛рд▓ рдХрд╛рд░реНрддрд┐рдХ рдорд╛рд╕ рдХреЗ рдХреГрд╖реНрдгрдкрдХреНрд╖ рдХреА рдЪрддреБрд░реНрджрд╢реА рддрд┐рдерд┐ рдХреЛ рдордирд╛рдпрд╛ рдЬрд╛рддрд╛ рд╣реИ. рдЗрд╕ рд╕рд╛рд▓ рдпрд╣ рдкрд╛рд╡рди рддрд┐рдерд┐ 19 рдЕрдХреНрдЯреВрдмрд░ 2025 рдХреЛ рджреЛрдкрд╣рд░ 01:51 рдмрдЬреЗ рдкреНрд░рд╛рд░рдВрдн рд╣реЛрдХрд░ 20 рдЕрдХреНрдЯреВрдмрд░ 2025 рдХреЛ рджреЛрдкрд╣рд░ 03:44 рдмрдЬреЗ рддрдХ рд░рд╣реЗрдЧреА. рдХрд╛рд░реНрддрд┐рдХ рдорд╛рд╕ рдХреА рдХреГрд╖реНрдг рдкрдХреНрд╖ рдХреА рдЪрддреБрд░реНрджрд╢реА рддрд┐рдерд┐ рдпрд╛рдиреА рдХрд┐ *рдирд░рдХ рдЪрддреБрд░реНрджрд╢реА 19 рдЕрдХреНрдЯреВрдмрд░ рджреЛрдкрд╣рд░ 1:51 рдкрд░ рд╢реБрд░реВ рд╣реЛ рдЬрд╛рдПрдЧреА рдФрд░ рдЗрд╕рдХрд╛ рд╕рдорд╛рдкрди 20 рдЕрдХреНрдЯреВрдмрд░ рдХреЛ рджреЛрдкрд╣рд░ 3:44 рдкрд░ рд╣реЛрдЧрд╛.* рдорд╛рдиреНрдпрддрд╛рдУрдВ рдХреЗ рдЕрдиреБрд╕рд╛рд░, рдЫреЛрдЯреА рджрд┐рд╡рд╛рд▓реА рдХрд╛ рддреНрдпреЛрд╣рд╛рд░ рд╕рдВрдзреНрдпрд╛ рдХрд╛рд▓ рдореЗрдВ рдордирд╛рдпрд╛ рдЬрд╛рддрд╛ рд╣реИ, рдЗрд╕рд▓рд┐рдП рдпрд╣ рдкрд░реНрд╡ 19 рдЕрдХреНрдЯреВрдмрд░ рджрд┐рди рд░рд╡рд┐рд╡рд╛рд░ рдХреЛ рдордирд╛рдпрд╛ рдЬрд╛рдПрдЧрд╛ред рдирд░рдХ рдЪрддреБрд░реНрджрд╢реА рдХреЛ рд░реВрдк рдЪреМрджрд╕ рдХреЗ рдирд╛рдо рд╕реЗ рднреА рдЬрд╛рдирд╛ рдЬрд╛рддрд╛ рд╣реИ рдФрд░ рдЫреЛрдЯреА рджрд┐рд╡рд╛рд▓реА рднреА рдХрд╣рддреЗ рд╣реИрдВ, рдЗрд╕ рджрд┐рди рднрдЧрд╡рд╛рди рд╡рд┐рд╖реНрдгреБ рдХреЗ рдЕрд╡рддрд╛рд░ рд╢реНрд░реАрдХреГрд╖реНрдг рдиреЗ 'рдирд░рдХрд╛рд╕реБрд░' рдирд╛рдордХ рд░рд╛рдХреНрд╖рд╕ рдХрд╛ рд╡рдз рдХрд┐рдпрд╛ рдерд╛ред рд╢реНрд░реАрдХреГрд╖реНрдг рдиреЗ рдирд░рдХрд╛рд╕реБрд░ рдХреЗ рдмрдВрджреА рдЧреГрд╣ рдореЗрдВ рдХреИрдж 16 рд╣рдЬрд╛рд░ рд╕реЗ рдЬреНрдпрд╛рджрд╛ рдорд╣рд┐рд▓рд╛рдУрдВ рдХреЛ рдЖрдЬрд╛рдж рдХрд░рд╛рдпрд╛ рдерд╛ред рддрдм рд╕реЗ рдЫреЛрдЯреА рджрд┐рд╡рд╛рд▓реА рдХреЛ рдирд░рдХ рдЪрддреБрд░реНрджрд╢реА рдХреЗ рддреМрд░ рдкрд░ рдордирд╛рдпрд╛ рдЬрд╛рддрд╛ рд╣реИред рдкреНрд░рдердо рдкреВрдЬреНрдп рдЧреМрд░реАрдирдВрджрди рд╢реНрд░реА рдЧрдгреЗрд╢ рдЬреА рдХреА рдЕрд╕реАрдо рдХреГрдкрд╛ рдЖрдк рдФрд░ рдЖрдкрдХреЗ рдкрд░рд┐рд╡рд╛рд░ рдкрд░ рд╕рджреИрд╡ рдмрдиреА рд░рд╣реЗ,рдЖрдк рд╕рднреА рдХрд╛ рджрд┐рди рд╢реБрдн рдФрд░ рдордЩреНрдЧрд▓рдордп рд╣реЛ! рджреЛрд╕реНрддреЛрдВ рдЖрдк рд╡ рдЖрдкрдХреЗ рд╕рдкрд░рд┐рд╡рд╛рд░ рдХреЛ *рдЫреЛрдЯреА рджреАрдкрд╛рд╡рд▓реА, рд░реВрдкрдЪреМрджрд╕* рдХреА рд╣рд╛рд░реНрджрд┐рдХ рдмрдзрд╛рдИ рдПрд╡рдВ рдЕрдирдиреНрдд рд╢реБрднрдХрд╛рдордирд╛рдПрдВред рдЖрдкрдХрд╛ рдЬреАрд╡рди рдордВрдЧрд▓рдордп рд╣реЛред рдЬрдп рд╢реНрд░реА рд░рд╛рдзреЗ рдХреГрд╖реНрдгред ЁЯкФ реР рд╢реНрд░реА рдЧрдгреЗрд╢рд╛рдп рдирдордГ ЁЯЩПЁЯП╗ЁЯкФ ЁЯЩПЁЯП╗ЁЯСг реР рд╢реНрд░реА рдорд╣рд╛ рд▓рдХреНрд╖реНрдореА рдирдордГ ЁЯСгЁЯЩПЁЯП╗ #narakchadurdashi #diwali #scrolllink #narakasur
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  • The Dawn of Liberation: The Profound Truth of Naraka Chaturdashi

    As the world rests in the pre dawn hush of Chaturdashi, a sacred tremor of anticipation stirs the soul. This is no ordinary darkness. This is the darkness that precedes the brilliant dawn of Diwali, a darkness pregnant with the promise of liberation. This is Naraka Chaturdashi, the day the soul conquers its inner hell.

    The ancient scriptures, the Puranas tell us of the Asura king, Narakasura, a being of immense power but twisted purpose. Born of Mother Earth, Bhudevi, and Varaha Swami, he was destined for greatness. Yet, intoxicated by his own might kidnapped 16,000 princesses, imprisoning them in his fortress. His reign was one of untold suffering, a literal naraka (hell) on Earth.

    But the Leela, is always one of balance. The prayers of the oppressed reached the heavens, and the preserver, Lord Sri Maha Vishnu, in his form as the mighty Sri Krishna, descended to Earth. Mounted on Garuda, with Satyabhama waged a cosmic war against the darkness.

    The Puranas reveal the profound symbolism hidden within this epic battle.

    The Vishnu Purana and the Bhagavata Purana do not merely narrate a historical event, they map the terrain of the human condition. Narakasura is not just an Asura, he is the embodiment of our own arrogance (ahankara), our boundless desires (kama), our attachment (moha), and our ignorance (avidya). The 16,000 princesses represent the countless divine energies and virtues of the soul that we hold captive through our own negative tendencies.

    The killing of Narakasura by the divine couple, Krishna and Satyabhama, signifies the essential partnership of divine grace and our own resolute will (Satyabhama represents the fierce, devoted aspect of the seeker). It teaches us that God's grace is ever ready, but we must actively participate in our own liberation.

    As the Skanda Purana beautifully elucidates, the pre dawn ablution on this day is not just a physical cleansing. It is a sacred ritual of washing away the impurities of the mind and spirit. The act of applying oil and uptan (herbal paste) before the bath is a symbolic gesture of anointing the body, the temple of the soul, preparing it for a profound transformation.

    This is the profound truth of Naraka Chaturdashi:

    Your inner Naraka is not your permanent address. It is a fortress you have the power to breach.

    The darkness of ignorance, the chains of past karmas, the prison of ego, all can be shattered. The lamp that is lit after the holy bath on this day is not just a physical flame. It is the Jnana Jyoti, the lamp of supreme knowledge that dispels the shadows of the soul.

    As the Garuda Purana affirms, observing the vows of this day with sincerity has the power to absolve one of sins and bestow blessings that lead to Moksha, final liberation. It is a day to remember.

    On Naraka Chaturdashi, Lord Krishna manifests not just on a battlefield, but within the heart of every devotee who seeks to conquer their own inner Narakasura.

    So, as you rise in the sacred Brahma Muhurta this Naraka Chaturdashi, let the cool water of your bath be a purity of the spirit. As the first rays of the sun touch the earth, feel the light of consciousness dawn within you.

    For today is not a remembrance of a battle fought long ago. It is a celebration of the victory you are destined to claim, the victory of your eternal, luminous Self over the transient, dark prison of the ego.

    May this Naraka Chaturdashi illuminate the deepest corners of your being and guide you from the darkness of Naraka to the everlasting light of Narayana.

    Om Namo Bhagavate Vasudevaya.ЁЯЩПЁЯП╜

    #narakchaurdashi #chhotidiwali #narakasur #scrolllink
    The Dawn of Liberation: The Profound Truth of Naraka Chaturdashi As the world rests in the pre dawn hush of Chaturdashi, a sacred tremor of anticipation stirs the soul. This is no ordinary darkness. This is the darkness that precedes the brilliant dawn of Diwali, a darkness pregnant with the promise of liberation. This is Naraka Chaturdashi, the day the soul conquers its inner hell. The ancient scriptures, the Puranas tell us of the Asura king, Narakasura, a being of immense power but twisted purpose. Born of Mother Earth, Bhudevi, and Varaha Swami, he was destined for greatness. Yet, intoxicated by his own might kidnapped 16,000 princesses, imprisoning them in his fortress. His reign was one of untold suffering, a literal naraka (hell) on Earth. But the Leela, is always one of balance. The prayers of the oppressed reached the heavens, and the preserver, Lord Sri Maha Vishnu, in his form as the mighty Sri Krishna, descended to Earth. Mounted on Garuda, with Satyabhama waged a cosmic war against the darkness. The Puranas reveal the profound symbolism hidden within this epic battle. The Vishnu Purana and the Bhagavata Purana do not merely narrate a historical event, they map the terrain of the human condition. Narakasura is not just an Asura, he is the embodiment of our own arrogance (ahankara), our boundless desires (kama), our attachment (moha), and our ignorance (avidya). The 16,000 princesses represent the countless divine energies and virtues of the soul that we hold captive through our own negative tendencies. The killing of Narakasura by the divine couple, Krishna and Satyabhama, signifies the essential partnership of divine grace and our own resolute will (Satyabhama represents the fierce, devoted aspect of the seeker). It teaches us that God's grace is ever ready, but we must actively participate in our own liberation. As the Skanda Purana beautifully elucidates, the pre dawn ablution on this day is not just a physical cleansing. It is a sacred ritual of washing away the impurities of the mind and spirit. The act of applying oil and uptan (herbal paste) before the bath is a symbolic gesture of anointing the body, the temple of the soul, preparing it for a profound transformation. This is the profound truth of Naraka Chaturdashi: Your inner Naraka is not your permanent address. It is a fortress you have the power to breach. The darkness of ignorance, the chains of past karmas, the prison of ego, all can be shattered. The lamp that is lit after the holy bath on this day is not just a physical flame. It is the Jnana Jyoti, the lamp of supreme knowledge that dispels the shadows of the soul. As the Garuda Purana affirms, observing the vows of this day with sincerity has the power to absolve one of sins and bestow blessings that lead to Moksha, final liberation. It is a day to remember. On Naraka Chaturdashi, Lord Krishna manifests not just on a battlefield, but within the heart of every devotee who seeks to conquer their own inner Narakasura. So, as you rise in the sacred Brahma Muhurta this Naraka Chaturdashi, let the cool water of your bath be a purity of the spirit. As the first rays of the sun touch the earth, feel the light of consciousness dawn within you. For today is not a remembrance of a battle fought long ago. It is a celebration of the victory you are destined to claim, the victory of your eternal, luminous Self over the transient, dark prison of the ego. May this Naraka Chaturdashi illuminate the deepest corners of your being and guide you from the darkness of Naraka to the everlasting light of Narayana. Om Namo Bhagavate Vasudevaya.тЬиЁЯЩПЁЯП╜ #narakchaurdashi #chhotidiwali #narakasur #scrolllink
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  • #NewsLiveNow рдордзреНрдп рджрд┐рд▓реНрд▓реА рдХреЗ рдирдмреА рдХрд░реАрдо рдХреНрд╖реЗрддреНрд░ рдореЗрдВ рд╢рдирд┐рд╡рд╛рд░ рд░рд╛рдд рдПрдХ рдкреНрд░реЗрдо рд╡рд┐рд╡рд╛рдж рдиреЗ рдЦреМрдлрдирд╛рдХ рдореЛрдбрд╝ рд▓реЗ рд▓рд┐рдпрд╛ред рдПрдХ рдЧрд░реНрднрд╡рддреА рдорд╣рд┐рд▓рд╛, рдЙрд╕рдХреЗ рдкрддрд┐ рдФрд░ рдкреВрд░реНрд╡ рдкреНрд░реЗрдореА рдХреЗ рдмреАрдЪ рд╢реБрд░реВ рд╣реБрдИ рдХрд╣рд╛рд╕реБрдиреА рдХреБрдЫ рд╣реА рдорд┐рдирдЯреЛрдВ рдореЗрдВ рдЦреВрдиреА рд╕рдВрдШрд░реНрд╖ рдореЗрдВ рдмрджрд▓ рдЧрдИред рдЗрд╕ рджрд┐рд▓ рджрд╣рд▓рд╛ рджреЗрдиреЗ рд╡рд╛рд▓реА рд╡рд╛рд░рджрд╛рдд рдореЗрдВ рджреЛ рд▓реЛрдЧреЛрдВ рдХреА рдЬрд╛рди рдЪрд▓реА рдЧрдИ, рдЬрдмрдХрд┐ рдПрдХ рд╡реНрдпрдХреНрддрд┐ рдЧрдВрднреАрд░ рд░реВрдк рд╕реЗ рдШрд╛рдпрд▓ рд╣реИред

    #newsinhindi #MurderCase #DelhiPolice #CrimeNews
    #NewsLiveNow рдордзреНрдп рджрд┐рд▓реНрд▓реА рдХреЗ рдирдмреА рдХрд░реАрдо рдХреНрд╖реЗрддреНрд░ рдореЗрдВ рд╢рдирд┐рд╡рд╛рд░ рд░рд╛рдд рдПрдХ рдкреНрд░реЗрдо рд╡рд┐рд╡рд╛рдж рдиреЗ рдЦреМрдлрдирд╛рдХ рдореЛрдбрд╝ рд▓реЗ рд▓рд┐рдпрд╛ред рдПрдХ рдЧрд░реНрднрд╡рддреА рдорд╣рд┐рд▓рд╛, рдЙрд╕рдХреЗ рдкрддрд┐ рдФрд░ рдкреВрд░реНрд╡ рдкреНрд░реЗрдореА рдХреЗ рдмреАрдЪ рд╢реБрд░реВ рд╣реБрдИ рдХрд╣рд╛рд╕реБрдиреА рдХреБрдЫ рд╣реА рдорд┐рдирдЯреЛрдВ рдореЗрдВ рдЦреВрдиреА рд╕рдВрдШрд░реНрд╖ рдореЗрдВ рдмрджрд▓ рдЧрдИред рдЗрд╕ рджрд┐рд▓ рджрд╣рд▓рд╛ рджреЗрдиреЗ рд╡рд╛рд▓реА рд╡рд╛рд░рджрд╛рдд рдореЗрдВ рджреЛ рд▓реЛрдЧреЛрдВ рдХреА рдЬрд╛рди рдЪрд▓реА рдЧрдИ, рдЬрдмрдХрд┐ рдПрдХ рд╡реНрдпрдХреНрддрд┐ рдЧрдВрднреАрд░ рд░реВрдк рд╕реЗ рдШрд╛рдпрд▓ рд╣реИред #newsinhindi #MurderCase #DelhiPolice #CrimeNews
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    рдПрдХ рдорд╣рд┐рд▓рд╛, 2 рдкреБрд░реБрд╖ рдФрд░ рдЦреВрди рд╕реЗ рд╕рдиреА рдореЛрд╣рдмреНрдмрдд рдХреА рдЬрдВрдЧ, рдкреНрдпрд╛рд░ рдХреЗ рддрд┐рдХреЛрди рдиреЗ рд▓реА 2 рдЬрд┐рдВрджрдЧрд┐рдпреЛрдВ рдХреА рдмрд▓рд┐, рд╕рдбрд╝рдХ рдмрдиреА рдХрддреНрд▓рдЧрд╛рд╣
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