क्या आप भी ??? #hinduRashtra #bhagwa #scrolllink

This film cue was recorded by the European Recording Orchestra in Sofia, Bulgaria, on July 20th, 2024. The animation is from "Говорящие руки Траванкора" ("The Talking Hands of Travancore"), a Soviet short film from 1981 directed by Vladimir Pekar. The film is about the origins of Kathakali, a Southern Indian classical dance form dedicated to telling stories from Hindu mythology. I would like to thank the Film Scoring Academy of Europe for their help in facilitating this recording. Conductor: Nikola Petrov Sound Engineer: Vladislav Boyadjiev Composer: Akshay S. Tiwari #Mahakali #Mahishasur #Soviet animation #russia #india

Wishing all the Bhairavs and Bhairavis a blessed and prosperous English New Year 2025! May this year bring you deeper spiritual insights, transformation, and divine blessings on your sacred journey. The International Kaulantak Siddha Vidya Peeth (IKSVP) recently held the Ghora Kuta Gana Sadhna course, a special two-day event in the Himalayan Siddha tradition. Bhairavs and Bhairavis who attended had the opportunity to learn ancient teachings and spiritual practices. On the first day, four respected Acharyas gave insightful classes, explaining the essence of Ghora Kuta Gana Sadhna and sharing important truths about Ghora Kuta Gana. They also introduced the basics of Bansheera Yuddh Vidya and yoga, filling the atmosphere with a unique and powerful energy. On the second day, Kaulantak Peethadishwar Ishaputra arrived and gave a special class on the significance of Ghora Kuta Gana Sadhna, highlighting its importance in the spiritual path and its role in helping practitioners connect with higher realms of consciousness. He also led the Main Deeksha initiation and further two more classes by Acharyas took place . In addition, Mahasiddha Ishaputra oversaw the Karam Kaand, sacred rituals that brought peace and devotion to the gathering. (Part 1) Om Shri Kulant Nathaay Ishaputray Namah. Om Shri Kulant Peethaay Namah. Om Sam Siddhaay Namah. Om Shri Gurumandalaay Namah. Om Shri MahaHimalayaay Namah. #HimalayanDevaTradition #SiddhaDharma #LordShiva #AncientWisdom #Siddhapedia #ghorakutagana #kaulantakpeeth #kulantpeeth #shivagan #tribaldeity #shivadeity #HealingSadhana #SpiritualWellness #TantricHealing #EnergyActivation #Meditation #sanatandharma #Transformation #SpiritualJourney #HimalayanSiddhas #Hindu #Adhyaatma #himalayangod #Siddhatradition

Like this if you "Hate" her to the core 🤡 #wb #mamata #AntiHindu scrolllink

The International Kaulantak Siddha Vidya Peeth (IKSVP) proudly presents another glimpse of the transformative Akaash Yogini Sadhana Shivir, a two-day journey into the heart of the Himalayan Siddha tradition. This sacred gathering brought together Bhairavs and Bhairavis in devotion and discovery, as they delved into the grace and teachings of Bhagwati Akaash Yogini. Guided by Mahasiddha Ishaputra and the revered Acharyas, seekers were led through deep insights into spiritual practices and the divine wisdom of Akaash Yogini Sadhana. The teachings illuminated the connection between cosmic energies and the inner self, offering participants a path to profound spiritual awakening. Highlights of the event included foundational lessons in Bansheera Yuddha Vidya and traditional Yoga, filling the space with vibrant energy and devotion. The closing prayers brought a deep sense of gratitude and unity, leaving everyone inspired to continue their spiritual journey. Stay tuned for more insights into this sacred experience. IKSVP regularly offers opportunities for seekers to explore these timeless traditions, both online and offline. (Part 2) Om Shri Kulant Nath Ishaputray Namah Om Shri Kulant Peethaay Namah Om Sam Siddhaay Namah Om Shri Gurumandalaay Namah Om Shri Maha Himalayaay Namah #kaulantakpeeth #kulantpeeth #MahayogiSatyendraNath #siddhaYuddhaVidya #antarikshcharayogini #universe #akashchariyogini #HealingSadhana #HimalayanTradition #cosmos #SpiritualWellness #TantricHealing #EnergyActivation #KurukullaTemple #Meditation #akashayoginisadhana #maabhagwati #sanatandharma #Transformation #SpiritualJourney #IKSVP #HimalayanSiddhas #Hindu #Adhyaatma #Shivir #Deeksha #Himalayas #Mahasiddhaishaputra #Siddhatradition #Ishaputra #Saadhna #himalayangod

The International Kaulantak Siddha Vidya Peeth (IKSVP) recently conducted the sacred Akaash Yogini Sadhna,a two-day transformative course deeply rooted in the Himalayan Siddha tradition. This divine gathering brought together Bhairavs and Bhairavis to immerse themselves in the teachings of Bhagwati Akaash Yogini and partake in profound spiritual practices. Over the two days, Mahasiddha Ishaputra and the Acharyas, illuminated the essence of Akaash Yogini Sadhna. They unveiled profound truths about Bhagwati Akaash Yogini, guiding seekers towards the depths of her divine grace. These teachings allowed seekers to deepen their understanding of the interplay between cosmic forces and their inner selves. The Acharyas also imparted foundational knowledge of Bansheera Yuddh Vidya, and traditional Yoga, infusing the event with a vibrant spiritual energy. The event ended with prayers, leaving everyone inspired and connected to their spiritual path. We're happy to share these glimpses of this sacred gathering. For those interested in experiencing these spiritual traditions, IKSVP offers regular courses, both online and offline. (Part 1) Om Shri Kulant Nath Ishaputray Namah Om Shri Kulant Peethaay Namah Om Sam Siddhaay Namah Om Shri Gurumandalaay Namah Om Shri Maha Himalayaay Namah #KurukullaTemple #akashayoginisadhana #Ishaputra #SiddhaDharma #MahayogiSatyendraNath #siddhaYuddhaVidya #KulantPeeth #KaulantakPeeth #IKSVP #kurukulla #sanatani #hindu #dharma #yoga #kalki #spirituality #antarikshcharayogini #akashchariyogini #cosmos #universe

The International Kaulantak Siddha Vidya Peeth (IKSVP) recently held the Para Pravesh Deeksha course, a special two-day event in the Himalayan Siddha tradition. Bhairavs and Bhairavis who attended learned ancient teachings and spiritual practices. On the first day, six respected Acharyas gave classes, explaining the meaning of Para Pravesh Deeksha and sharing important truths about Sambhala. They also taught the basics of Bansheera Yuddh Vidya and yoga, bringing a unique and powerful energy to the gathering. On the second day, Kaulantak Peethadishwar Ishaputra arrived and gave a special class on advanced spiritual practices. He also oversaw the Karam Kaand, a sacred ritual that filled the atmosphere with peace and devotion. The event ended with prayers, leaving everyone inspired and connected to their spiritual path. We’re happy to share these glimpses of this sacred gathering. For those interested in experiencing these spiritual traditions, IKSVP offers regular courses, both online and offline. (Part-1) Om Shri Kulant Nathaay Ishaputray Namah. Om Shri Kulant Peethaay Namah. Om Sam Siddhaay Namah. Om Shri Gurumandalaay Namah. Om Shri MahaHimalayaay Namah. Om Shri Swachchanda Bhairavaay Namah. Om Shri Kulle Kurukulle Namah. #ParaPraveshDeeksha #Siddhas #Ishaputra #MahayogiSatyendraNath #AncientWisdom #BansheeraYuddhVidya #Yoga #SpiritualJourney #KaulantakPeeth #IKSVP #Spirituality #Sambhala #shangrila #kalki #KalkiAvatar #KulantPeeth #SambhalaSamrajya #kurukulla #sanatani #hindu #dharma

Rani Ki Vav at Patan, Gujarat also known as Queen's Stepwell Rani Ki Vav, Patan Queen's Stepwell, A UNESCO World Heritage Site Patan is a district in the state of Gujarat, located at 125kms distance from Ahmedabad. Patan was once the capital of the state in historic times located on the banks of the (lost) Saraswati River. Nestled in the hustle and bustle of the city Patan, lies an “Architectural Wonder” – Rani Ki Vav. It is also known as “Rani Ni Vav” in Gujarati local dialect. This is a 7 storeyed Magnificent Stepwell, which is built using scientific principles for storing water. Back in 11th century, Udaymati, Queen of the King Bhimadev I from Solanki(Chalukya) Dynasty, expressed her desire to build a stepwell. This stepwell, she ordered to build is in the memory of her beloved husband. Rani ki Vav is one of the UNESCO World Heritage sites in India. The new ₹100 rupee currency note has a picture of this stepwell. Let’s have a visual tour of Stepwell As you walk towards this site, it doesn’t appeal very much. Just a compound wall and some—Well Kept—landscaping work is done around it. The more you approach it, the more it starts appealing. When you reach the main entrance, the Jaw-Dropping view absorbs you in it. Perspective steps going deep down towards the well-shaft are accompanied by intricately carved idols of gods and goddesses. Each idol is as magnificent as if they are living things. The far end is of this stepwell—which is a well-shaft—is not even clearly visible from the first step. Constructional Aspects Rani ki Vav was constructed as a religious as well as a functional structure. The expanse of this stepwell is roughly 1610 sq.m. and 70m length from the base of Toran—Sacred Gateway—to the inner edge of well-shaft. Its 23m in width and 28m in depth. Rani Ki Vav is constructed like an inverted temple highlighting the sanctity of water. It is built on the East-West axis, “Step-Corridor” being in the east and “Well” on the west. Ceremonial Entrance (Toran Dwaar) The first architectural object you see as you step down, is the remains of a pillar base. This evidently confirms the presence of Toran Dwaar – A Ceremonial Entrance. In 19th century, a survey was conducted for Rani Ki Vav. James Burgess and Henry Cousens were two archeologists who had mentioned about these pillars in the survey. The Toran was comprised of 2 freely standing pillars, which were connected by an ornate arch at their upper sections. Towards the west side from this entrance, downward leading steps make a way to the edge of the well. Ceremonial Entrance (Toran Dwaar)Ceremonial Entrance (Toran Dwaar) Architecture and Decorative Work Rani ki vav is a seven storeyed and inverted temple like structure. It has 4 pavilions downwards from east to west and then lastly a Well Shaft. Below is a picture taken from first pavellion. You can see other 3 Pavilions as well. Rani ki Vav is a Maru-Gurjara style architecture. A style of “temple architecure” which is originated from the Gujarat & Rajasthan in historic times. All the 7 levels were open for public and tourists were able to go down to the well. Then there was a powerful earthquake in Bhuj which rocked the state of Gujarat in 2001. After this earchquake, out of 7 levels, only 4 levels are left open for public to ensure the safety & security. There is a great diversity of themes: Divine Figures: Devi or Goddess, Brahma, Vishnu, Shiva, Ganesha in their respective incarnations and form Sacred & Mythical Representation Figures: Dikpalas, Sacred flora and fauna, Apsara, Nagkanya, Vasus and scenes from epics Reflection of Contemporary Society Buddha, Kalki and Mahishasurmardini sculptureFrom left Buddha, Kalki and Mahishasurmardini Sculpture Mahishasurmardini is one of the forms of a goddess “Durga” who is killing a demon called Mahishasur. MahishasurmardiniMahishasurmardini Sculptures in Rani ki Vav are displayed in a pattern, where main deities are displayed in niches. These main deities are flanked by semi divine figures like Apsaras, Nagkanya, Dikpalas and Yogini.& Sheshshayi Vishnu Sculpture During medieval times in Gujarat, there was a tradition of installing “A Sheshshayi Vishnu” sculpture inside the Stepwell, Kunda or Temples. Which you can see in Modhera Sun Temple as well. Sheshshayi Vishnu is represented in 3 successive niches in 3 levels on the rear wall of the Well Shaft. One between the first and second pavillion on the niche of the north wall. In addition to this, out of 24 forms of the lord Vishnu, following forms are present in Rani ki Vav: Keshava, Narayana, Govinda, Vishnu, Trivikrama, Vamana, Sridhara, Padmanabha, Damodar, Samkarsana, Aniruddha, Purusottama, Narsimha, Hari. Moreover 10 famous incarnations are also represented. But among those 10 incarnations; Varah, Narsimha, Vaman, Parshuram, Ram, Balram, Buddha and Kalki (future incarnation at the end of Kaliyug) are clearly identified in Rani ki Vav. Buddha is shown as an incarnation of the lord Vishnu here. A Bhairav—fierce form of the lord Shiv—is represented in a dancing pose here. If you take a closer look down on his right side, the dog is snatching a piece from the decapitated corpse. Licking the blood oozing from the freshly cut head that Bhairava is holding in his hand. Vishnu On Left and Bhairav on rightVishnu On the Left and Bhairav on the Right Brahma, Mahesh & Vishnu With Their Consort When you reach near the well (at 4th pavillion) you can see the panel of “Brahma, Mahesh & Vishnu with Their Consort”. The Top left side of front wall is decorated with the idols of Tridev(Ttriple deity of Supreme Divinity in Hinduism). Their Vahan is also present near each of them, Swan, Bull and Garuda respectively. Front wall sculptures from bottom levelFront wall sculptures at base level Brahma Mahesh and Vishnu with their consortsBrahma Mahesh & Vishnu With Their Consort On the Top-Right side of the front wall, you can see Ganesh with his Consort and then Maha-Lakshmi and Kuber idols are also present. These three are considered as Gods of Luck. Other Sculptures in Rani ki Vav Dikpals (Guardians of Eight Directions) also appear on the walls of Rani ki Vav. 8 Vasus are present on the walls with human body and Cow head in folded hands (Namaskar position). Nav graha are represented in a complete set, over Sheshshayi Vishnu on the Well Shaft. Sun (Surya), Moon (Chandra), Mercury (Budha also known as Grahpati), Venus (Shukra), Mars (Mangal), Jupiter (Brihaspati), Saturn (Shani), Rahu and Ketu constitute Nine Planets called Nav Graha. Dikpal - Guardian of directionDikpal – Guardian of A Direction A Marble sculpture of 48cm height was recovered while de-silting in 1987-88. This sculpture has an inscription in devnagari(indian script) “Maharajani Shri Udayamati”. Due to time constraints, we did not get a chance to see this sculpture. Hence, have no idea where it is kept (May be in museum). Rani Ki Vav is built using burnt bricks, lime mortar, and locally available “Dhrangadhra” stone. Larger blocks of stones were joined by Rosewood Dowels and placed on the ground, forming the floor of the steps and terraces. Interlocking system with woodInterlocking System With Wood A small glass plate was attached at several places where cracks are visible. These cracks were developed after Bhuj’s Earthquake. Upon asking about the purpose of these glass plates, our guide told us they are attached to keep the track of changes in such sections. When the stress on such sections will be increased, these glass plates will break and give an indication for safety. #thehinduheritage #CulturalHeritage #thehindugodsandgoddesses #scrolllink #bharat

Gwalior Andolan ko lekar sardar ne kaha #protest #andolan #hindu #sanatan #savehindu #savesanatan #justice #siddhadharma #jaishreeram #jaikalki #scrolllink

With a heart full of Devotion, we are happy and feeling amazed to share the glimpses of the worship ritual of the Kula Devata of the Himalayan Siddhas- The Great Bhagwan Shiva in the form of Shri Swachchanda Bhairava straight from the IKSVP centre, Maharashtra, India. We are beginning the course on the ‘Vidya’, the wisdom system of ‘Loka Samvad Patal’ or as we popularly call it as the ‘Devanubhuti’ today with the ‘Abhishekam’ worship ritual along with the sound of Damru and the aroma of the incense in the lush green nature of the mountains of Maharashtra. The auspicious beginning of the wisdom of the ‘Devanubhuti’ from the authentic lineage of Siddha Dharm of the Himalayan Siddhas. (Mobile pics) Om Shri Kulant Nathaay Namah. Om Sam Siddhaay Namah. Om Shri Kulle Kurukulle Namah. Om Shri Swachchanda Bhairvaay Namah. Namo Adesh! ©️ IKSVP #Wisdom #AncientWisdom #HimalayanSiddas #IKSVP #Dharma #Siddhatradition #AuthenticLineage #SpiritualAwakening #sanatandharma #hindu

International Kaulantak Siddha Vidya Peeth is delighted to share that we are going to hold a 2 day sadhana course on Kularnava Tantra on 25th and 26th of October 2025. Kularnava Tantra is one of the most sacred and systematic works in the Siddha Dharma Tantric school of thought, particularly in the Kaula and Shakta–Shaiva schools of thought. It is regarded as a primary scripture that interprets the philosophy, practices, and intention that aims at the union of Shiva (pure consciousness) and Shakti (divine energy). Kularnava is a term that means "the ocean of the Kula," representing the vastness and depth of divine knowledge enshrined in this divine text. Composed as a conversation between Bhagwan Swachchhand Bhairava Shiva and Goddess Kurukulla, the Kularnava Tantra offers an entire spiritual journey — from the external rituals and devotional practices to the very innermost realizations of the Divine. The Kularnava Tantra instructs that all of creation emerges from the union of Shiva and Shakti, and that liberation (moksha) is attained when one becomes aware of this divine unity within one's own being. It highlights that the world is not distinct from the divine but a living manifestation of it. Thus, the objective of Tantra is not to abandon the world, but to perceive the divine in everything and live with spiritual consciousness. The text provides precise directions on Guru-disciple relationships, where the Guru is the living Shiva who introduces the disciple to the secrets of the Kaulantak Peeth. It emphasizes that initiation (diksha) is the entry point to genuine spiritual understanding, and without this, one cannot appreciate the complete potential of Tantric practice. Practically, the Kularnava Tantra speaks about mantra, yantra, meditation, ritual worship, and inner cleansing, all with the aim of arousing the spiritual energy called Kundalini. It delineates that real worship is not exterior rites alone but the inner apprehension of the Divine presence in one's own body and mind. The scripture also cautions against mere practice and demands that only honest devotion, self-restraint, and the guidance of an authentic Guru can bring about spiritual realization. Its teachings transcend religion and philosophy; they offer a living process to change human consciousness. Among the sacred traditions of the Kaulantak Peeth, the Kularnava Tantra has a particularly significant position. Kaulant Peeth is among the most ancient and powerful Tantric thrones in the Himalayas, which is believed to be a seat centering the original teachings of Himalayan Tantra preserved and practiced there. The Peeth considers Kularnava Tantra to be one of its core scriptures — a scripture which delineates its philosophy, rituals, and lifestyle. The sadhanas done at Kaulant Peeth, like mantra sadhana, meditation, and sacred initiations, are usually based on the guidelines presented in this scripture. The Peeth also looks at the Kularnava Tantra as a bridge between human existence and the consciousness of God, leading seekers to self-realization through controlled practice and sincere devotion. Therefore, the Kularnava Tantra is not only an ancient text but a living manual for spiritual seekers within Kaulant Peeth. It bridges the eternal wisdom of Shiva and Shakti with the living tradition of the Himalayan Siddhas. Through reading and adherence to its teachings, followers come to balance the material and spiritual worlds, to perceive the divine in life's every situation, and finally, to realize the oneness of existence. In doing so, the Kularnava Tantra remains the core of the Kaulant Peeth's spiritual philosophy and a source of Tantric wisdom to future generations. To be a participant in this sadhana, reserve your seats through the contact information provided. #sadhana #himalayantantra #Tantra #HimalayanDevaParamapara #SiddhaDharma #Siddhatradition #LordShiva #BhagwanShiv #Mahadev #SwachhandBhairav #kurukulla #AncientWisdom #Siddhapedia #kaulantakpeeth #kulantpeeth #Ishaputra #MahasiddhaIshaputra #MahayogiSatyendraNath #Meditation #sanatandharma #Transformation #SpiritualJourney #HimalayanSiddhas #Hindu #Adhyaatma #himalayangod

ये अभिव्यक्ति की स्वतंत्रता नहीं उन्मुक्तता है . पुरुष में इतना बल नहीं की स्त्री को बाँध सके . नारी की लज्जा ईश्वर प्रदत्त सर्वश्रेष्ठ अनुपम उपहार है . पुरुष में अगर स्त्री के गुण आ जाते हैं तो वह देवता बन जाता है वहीँ इसके विपरीत यदि स्त्री में पुरुष के गुण आ जाते हैं तो वह अपने कुल ही नहीं समस्त समाज के लिये घातक बन जाती है और उसी क्षण उसकी अधोगति सुनिश्चित हो जाती है . #feminist #DipikaPadukon #antihindu #kultaAurat