अलविदा 'अंग्रेजों के जमाने के जेलर'.... भारतीय सिनेमा का वह प्यारा चेहरा, जिसने अपनी कॉमिक टाइमिंग और अदाकारी से लोगों के दिलों में जगह बनाई, वो अब हम सबके बीच नहीं रहा. गोवर्धन असरानी के PA, बाबूभाई ने इंडिया टुडे को बताया, "असरानी साहब को चार दिन पहले जुहू स्थित भारतीय आरोग्य निधि अस्पताल में भर्ती कराया गया था. डॉक्टरों ने हमें बताया कि उनके फेफड़ों में पानी जमा हो गया था और आज, 20 अक्टूबर को दोपहर लगभग 3.30 बजे उनका निधन हो गया. उनका अंतिम संस्कार भी कर दिया गया है." गोवर्धन असरानी ने कई दशकों तक हिंदी सिनेमा में अहम रोल प्ले किए और दर्शकों के दिलों में अपनी खास जगह बनाई. फिल्मी जगत और उनके प्रशंसकों में उनके निधन की खबर से गहरे शोक का माहौल है. गोवर्धन असरानी के मरने की खबर पुष्टि उनके भतीजे अशोक असरानी ने की. अब से तीन महीने पहले गोवर्धन असरानी की झूठी खबर फैली थी. जिसमें ये कहा गया था कि 15 जुलाई 2025 को गोवर्धन असरानी की मौत हो गई. हालांकि इस खबर की पड़ताल की गई तो ये खबर फर्जी पाई गई थी. #Asrani #RIPAsrani #BollywoodNews #SadNews #RIP #scrolllink

The Dawn of Liberation: The Profound Truth of Naraka Chaturdashi As the world rests in the pre dawn hush of Chaturdashi, a sacred tremor of anticipation stirs the soul. This is no ordinary darkness. This is the darkness that precedes the brilliant dawn of Diwali, a darkness pregnant with the promise of liberation. This is Naraka Chaturdashi, the day the soul conquers its inner hell. The ancient scriptures, the Puranas tell us of the Asura king, Narakasura, a being of immense power but twisted purpose. Born of Mother Earth, Bhudevi, and Varaha Swami, he was destined for greatness. Yet, intoxicated by his own might kidnapped 16,000 princesses, imprisoning them in his fortress. His reign was one of untold suffering, a literal naraka (hell) on Earth. But the Leela, is always one of balance. The prayers of the oppressed reached the heavens, and the preserver, Lord Sri Maha Vishnu, in his form as the mighty Sri Krishna, descended to Earth. Mounted on Garuda, with Satyabhama waged a cosmic war against the darkness. The Puranas reveal the profound symbolism hidden within this epic battle. The Vishnu Purana and the Bhagavata Purana do not merely narrate a historical event, they map the terrain of the human condition. Narakasura is not just an Asura, he is the embodiment of our own arrogance (ahankara), our boundless desires (kama), our attachment (moha), and our ignorance (avidya). The 16,000 princesses represent the countless divine energies and virtues of the soul that we hold captive through our own negative tendencies. The killing of Narakasura by the divine couple, Krishna and Satyabhama, signifies the essential partnership of divine grace and our own resolute will (Satyabhama represents the fierce, devoted aspect of the seeker). It teaches us that God's grace is ever ready, but we must actively participate in our own liberation. As the Skanda Purana beautifully elucidates, the pre dawn ablution on this day is not just a physical cleansing. It is a sacred ritual of washing away the impurities of the mind and spirit. The act of applying oil and uptan (herbal paste) before the bath is a symbolic gesture of anointing the body, the temple of the soul, preparing it for a profound transformation. This is the profound truth of Naraka Chaturdashi: Your inner Naraka is not your permanent address. It is a fortress you have the power to breach. The darkness of ignorance, the chains of past karmas, the prison of ego, all can be shattered. The lamp that is lit after the holy bath on this day is not just a physical flame. It is the Jnana Jyoti, the lamp of supreme knowledge that dispels the shadows of the soul. As the Garuda Purana affirms, observing the vows of this day with sincerity has the power to absolve one of sins and bestow blessings that lead to Moksha, final liberation. It is a day to remember. On Naraka Chaturdashi, Lord Krishna manifests not just on a battlefield, but within the heart of every devotee who seeks to conquer their own inner Narakasura. So, as you rise in the sacred Brahma Muhurta this Naraka Chaturdashi, let the cool water of your bath be a purity of the spirit. As the first rays of the sun touch the earth, feel the light of consciousness dawn within you. For today is not a remembrance of a battle fought long ago. It is a celebration of the victory you are destined to claim, the victory of your eternal, luminous Self over the transient, dark prison of the ego. May this Naraka Chaturdashi illuminate the deepest corners of your being and guide you from the darkness of Naraka to the everlasting light of Narayana. Om Namo Bhagavate Vasudevaya.✨🙏🏽 #narakchaurdashi #chhotidiwali #narakasur #scrolllink

Before the Temples: The Panjurli Daiva of Tulunadu "Paatri povonji, Daiva barpi. Mana povonji, miru barpi." (The oracle departs, the Daiva arrives. The human departs, the wild arrives.) In the heart of Tulunadu, where the padi (ancient sacred grove) breathes with the spirits of the land, the air does not ask for devotion. It demands it. It is thick with the scent of wet bolpu (laterite soil) and the promise of the Kar (monsoon). Here, Bhakti is not a gentle prayer, it is a trembling surrender to a force as raw as the first thunderclap. Here, Bhakti is for Panjurli. They do not believe in this Daiva (spirit deity). They know it. They feel it in the shiver that runs through the areca grove, in the fierce protectiveness that guards their threshold. Panjurli Daiva was not crafted by dreamers, but unleashed from the very sweat of the Divine, a primal roar given form. To offer Bhakti to Panjurli is to offer respect to the storm. The Murti (sacred mask/idol) is their focal point. It is not a face, but a convergence of power. Forged in silver and gold, its boar visage is a permanent challenge, the kodu (tusks) not mere metal but instruments of divine surgery, meant to gore out the infection of dosha (sin/impurity). When the devotees, the saris, gather, their gaze is not one of adoration, but of awe struck vigilance. When the drums (Dammamā) begin their frantic, heartbeat rhythm, it is not a call to prayer. It is a summons. The air thickens, heavy with the scent of crushed areca flowers and burning incense. The Paatri, the vessel, is no longer a man. He is a conduit. His body contorts, a puppet to a force that is anything but graceful. It is the brute, grounding shudder of the boar. His dance is not fluid, it is a powerful, stomping, a ritual of claiming territory, of shaking the very foundations of the human world to remind it of the wild one that lies beneath. Panjurli does not whisper sweet promises. It speaks in a voice that is a low, guttural grunt, a gravelly torrent of truth. It is the voice of the land itself, judge, jury, and protector. It roots out deceit, exposes hidden sins, and enforces the sacred codes of the community. Its justice is not nuanced, it is as direct and unforgiving as a charging boar. To stand before Panjurli is to stand naked before the raw conscience of nature, stripped of all pretense. This is not a god you love. This is a force you revere. A power you fear with a fear that is the beginning of wisdom. Panjurli is the spine chilling reminder that the land we build upon is alive, watching, and must be respected. It is the ancient, brute root that holds the community fast, lest it be washed away by the monsoon of its own transgressions. "Mana bhakti botji ayi. Mana baka didi ayi." (Our devotion is a raw offering. Our prayer is a naked truth.)" #pajurli #kantara #bhakti #scrolllink

Over the years, I have a strong belief, "Depending on your eligibility, the correct knowledge will find you." The sadhanas that had the highest impact on my spiritual betterment were never imparted in the general course of deekshas. The best esoteric description of rituals like pitri upasana was obtained from a book. I have never gotten a better esoteric description of it from anyone. The best of what I got from Ishaputra was obtained by worshipping Ishaputra in a form that may NOT be worshipped by any other bhairavas. I think that's not even possible while being in the peeth. Also, the best insight I had about myself was shared by a Yogi ji, I never met. (I miss him) Jay Mahakaal.

Rani Ki Vav at Patan, Gujarat also known as Queen's Stepwell Rani Ki Vav, Patan Queen's Stepwell, A UNESCO World Heritage Site Patan is a district in the state of Gujarat, located at 125kms distance from Ahmedabad. Patan was once the capital of the state in historic times located on the banks of the (lost) Saraswati River. Nestled in the hustle and bustle of the city Patan, lies an “Architectural Wonder” – Rani Ki Vav. It is also known as “Rani Ni Vav” in Gujarati local dialect. This is a 7 storeyed Magnificent Stepwell, which is built using scientific principles for storing water. Back in 11th century, Udaymati, Queen of the King Bhimadev I from Solanki(Chalukya) Dynasty, expressed her desire to build a stepwell. This stepwell, she ordered to build is in the memory of her beloved husband. Rani ki Vav is one of the UNESCO World Heritage sites in India. The new ₹100 rupee currency note has a picture of this stepwell. Let’s have a visual tour of Stepwell As you walk towards this site, it doesn’t appeal very much. Just a compound wall and some—Well Kept—landscaping work is done around it. The more you approach it, the more it starts appealing. When you reach the main entrance, the Jaw-Dropping view absorbs you in it. Perspective steps going deep down towards the well-shaft are accompanied by intricately carved idols of gods and goddesses. Each idol is as magnificent as if they are living things. The far end is of this stepwell—which is a well-shaft—is not even clearly visible from the first step. Constructional Aspects Rani ki Vav was constructed as a religious as well as a functional structure. The expanse of this stepwell is roughly 1610 sq.m. and 70m length from the base of Toran—Sacred Gateway—to the inner edge of well-shaft. Its 23m in width and 28m in depth. Rani Ki Vav is constructed like an inverted temple highlighting the sanctity of water. It is built on the East-West axis, “Step-Corridor” being in the east and “Well” on the west. Ceremonial Entrance (Toran Dwaar) The first architectural object you see as you step down, is the remains of a pillar base. This evidently confirms the presence of Toran Dwaar – A Ceremonial Entrance. In 19th century, a survey was conducted for Rani Ki Vav. James Burgess and Henry Cousens were two archeologists who had mentioned about these pillars in the survey. The Toran was comprised of 2 freely standing pillars, which were connected by an ornate arch at their upper sections. Towards the west side from this entrance, downward leading steps make a way to the edge of the well. Ceremonial Entrance (Toran Dwaar)Ceremonial Entrance (Toran Dwaar) Architecture and Decorative Work Rani ki vav is a seven storeyed and inverted temple like structure. It has 4 pavilions downwards from east to west and then lastly a Well Shaft. Below is a picture taken from first pavellion. You can see other 3 Pavilions as well. Rani ki Vav is a Maru-Gurjara style architecture. A style of “temple architecure” which is originated from the Gujarat & Rajasthan in historic times. All the 7 levels were open for public and tourists were able to go down to the well. Then there was a powerful earthquake in Bhuj which rocked the state of Gujarat in 2001. After this earchquake, out of 7 levels, only 4 levels are left open for public to ensure the safety & security. There is a great diversity of themes: Divine Figures: Devi or Goddess, Brahma, Vishnu, Shiva, Ganesha in their respective incarnations and form Sacred & Mythical Representation Figures: Dikpalas, Sacred flora and fauna, Apsara, Nagkanya, Vasus and scenes from epics Reflection of Contemporary Society Buddha, Kalki and Mahishasurmardini sculptureFrom left Buddha, Kalki and Mahishasurmardini Sculpture Mahishasurmardini is one of the forms of a goddess “Durga” who is killing a demon called Mahishasur. MahishasurmardiniMahishasurmardini Sculptures in Rani ki Vav are displayed in a pattern, where main deities are displayed in niches. These main deities are flanked by semi divine figures like Apsaras, Nagkanya, Dikpalas and Yogini.& Sheshshayi Vishnu Sculpture During medieval times in Gujarat, there was a tradition of installing “A Sheshshayi Vishnu” sculpture inside the Stepwell, Kunda or Temples. Which you can see in Modhera Sun Temple as well. Sheshshayi Vishnu is represented in 3 successive niches in 3 levels on the rear wall of the Well Shaft. One between the first and second pavillion on the niche of the north wall. In addition to this, out of 24 forms of the lord Vishnu, following forms are present in Rani ki Vav: Keshava, Narayana, Govinda, Vishnu, Trivikrama, Vamana, Sridhara, Padmanabha, Damodar, Samkarsana, Aniruddha, Purusottama, Narsimha, Hari. Moreover 10 famous incarnations are also represented. But among those 10 incarnations; Varah, Narsimha, Vaman, Parshuram, Ram, Balram, Buddha and Kalki (future incarnation at the end of Kaliyug) are clearly identified in Rani ki Vav. Buddha is shown as an incarnation of the lord Vishnu here. A Bhairav—fierce form of the lord Shiv—is represented in a dancing pose here. If you take a closer look down on his right side, the dog is snatching a piece from the decapitated corpse. Licking the blood oozing from the freshly cut head that Bhairava is holding in his hand. Vishnu On Left and Bhairav on rightVishnu On the Left and Bhairav on the Right Brahma, Mahesh & Vishnu With Their Consort When you reach near the well (at 4th pavillion) you can see the panel of “Brahma, Mahesh & Vishnu with Their Consort”. The Top left side of front wall is decorated with the idols of Tridev(Ttriple deity of Supreme Divinity in Hinduism). Their Vahan is also present near each of them, Swan, Bull and Garuda respectively. Front wall sculptures from bottom levelFront wall sculptures at base level Brahma Mahesh and Vishnu with their consortsBrahma Mahesh & Vishnu With Their Consort On the Top-Right side of the front wall, you can see Ganesh with his Consort and then Maha-Lakshmi and Kuber idols are also present. These three are considered as Gods of Luck. Other Sculptures in Rani ki Vav Dikpals (Guardians of Eight Directions) also appear on the walls of Rani ki Vav. 8 Vasus are present on the walls with human body and Cow head in folded hands (Namaskar position). Nav graha are represented in a complete set, over Sheshshayi Vishnu on the Well Shaft. Sun (Surya), Moon (Chandra), Mercury (Budha also known as Grahpati), Venus (Shukra), Mars (Mangal), Jupiter (Brihaspati), Saturn (Shani), Rahu and Ketu constitute Nine Planets called Nav Graha. Dikpal - Guardian of directionDikpal – Guardian of A Direction A Marble sculpture of 48cm height was recovered while de-silting in 1987-88. This sculpture has an inscription in devnagari(indian script) “Maharajani Shri Udayamati”. Due to time constraints, we did not get a chance to see this sculpture. Hence, have no idea where it is kept (May be in museum). Rani Ki Vav is built using burnt bricks, lime mortar, and locally available “Dhrangadhra” stone. Larger blocks of stones were joined by Rosewood Dowels and placed on the ground, forming the floor of the steps and terraces. Interlocking system with woodInterlocking System With Wood A small glass plate was attached at several places where cracks are visible. These cracks were developed after Bhuj’s Earthquake. Upon asking about the purpose of these glass plates, our guide told us they are attached to keep the track of changes in such sections. When the stress on such sections will be increased, these glass plates will break and give an indication for safety. #thehinduheritage #CulturalHeritage #thehindugodsandgoddesses #scrolllink #bharat

International Kaulantak Siddha Vidya Peeth is delighted to share that we are going to hold a 2 day sadhana course on Kularnava Tantra on 25th and 26th of October 2025. Kularnava Tantra is one of the most sacred and systematic works in the Siddha Dharma Tantric school of thought, particularly in the Kaula and Shakta–Shaiva schools of thought. It is regarded as a primary scripture that interprets the philosophy, practices, and intention that aims at the union of Shiva (pure consciousness) and Shakti (divine energy). Kularnava is a term that means "the ocean of the Kula," representing the vastness and depth of divine knowledge enshrined in this divine text. Composed as a conversation between Bhagwan Swachchhand Bhairava Shiva and Goddess Kurukulla, the Kularnava Tantra offers an entire spiritual journey — from the external rituals and devotional practices to the very innermost realizations of the Divine. The Kularnava Tantra instructs that all of creation emerges from the union of Shiva and Shakti, and that liberation (moksha) is attained when one becomes aware of this divine unity within one's own being. It highlights that the world is not distinct from the divine but a living manifestation of it. Thus, the objective of Tantra is not to abandon the world, but to perceive the divine in everything and live with spiritual consciousness. The text provides precise directions on Guru-disciple relationships, where the Guru is the living Shiva who introduces the disciple to the secrets of the Kaulantak Peeth. It emphasizes that initiation (diksha) is the entry point to genuine spiritual understanding, and without this, one cannot appreciate the complete potential of Tantric practice. Practically, the Kularnava Tantra speaks about mantra, yantra, meditation, ritual worship, and inner cleansing, all with the aim of arousing the spiritual energy called Kundalini. It delineates that real worship is not exterior rites alone but the inner apprehension of the Divine presence in one's own body and mind. The scripture also cautions against mere practice and demands that only honest devotion, self-restraint, and the guidance of an authentic Guru can bring about spiritual realization. Its teachings transcend religion and philosophy; they offer a living process to change human consciousness. Among the sacred traditions of the Kaulantak Peeth, the Kularnava Tantra has a particularly significant position. Kaulant Peeth is among the most ancient and powerful Tantric thrones in the Himalayas, which is believed to be a seat centering the original teachings of Himalayan Tantra preserved and practiced there. The Peeth considers Kularnava Tantra to be one of its core scriptures — a scripture which delineates its philosophy, rituals, and lifestyle. The sadhanas done at Kaulant Peeth, like mantra sadhana, meditation, and sacred initiations, are usually based on the guidelines presented in this scripture. The Peeth also looks at the Kularnava Tantra as a bridge between human existence and the consciousness of God, leading seekers to self-realization through controlled practice and sincere devotion. Therefore, the Kularnava Tantra is not only an ancient text but a living manual for spiritual seekers within Kaulant Peeth. It bridges the eternal wisdom of Shiva and Shakti with the living tradition of the Himalayan Siddhas. Through reading and adherence to its teachings, followers come to balance the material and spiritual worlds, to perceive the divine in life's every situation, and finally, to realize the oneness of existence. In doing so, the Kularnava Tantra remains the core of the Kaulant Peeth's spiritual philosophy and a source of Tantric wisdom to future generations. To be a participant in this sadhana, reserve your seats through the contact information provided. #sadhana #himalayantantra #Tantra #HimalayanDevaParamapara #SiddhaDharma #Siddhatradition #LordShiva #BhagwanShiv #Mahadev #SwachhandBhairav #kurukulla #AncientWisdom #Siddhapedia #kaulantakpeeth #kulantpeeth #Ishaputra #MahasiddhaIshaputra #MahayogiSatyendraNath #Meditation #sanatandharma #Transformation #SpiritualJourney #HimalayanSiddhas #Hindu #Adhyaatma #himalayangod

#NewsLiveNow पंजाबी लोक गायक और पूर्व पुलिस अधिकारी गुरमीत मान के निधन की खबर से संगीत जगत शोक में डूब गया है। महज तीन दिन पहले राजवीर जवंदा के निधन के बाद, पंजाबी इंडस्ट्री को यह एक और गहरा आघात लगा है। #GurmeetMaan #RIPGurmeetMaan #PunjabiFolk #PunjabiMusic #MusicIndustry

Goddess Gayatri is worshipped throughout the Indian sub-continent as one of the main Deities. Especially Brahma Muhurta is related to Brahma Gayatri. But the Himalayan region was the main centre for Gayatri Sadhna and teachings. The Sharda Peeth and Kaulantak Peeth were the main centres of Gayatri Sadhna in the past. The whole world knows that because of the genocide of the Kashmiri Pundits and the jihadists destroyed the Sharda Peeth and many temples in Kashmir. And one of the centres of Gayatri Sadhna was also destroyed by the islamic extremists. Now one of the Himalayan Peeth, the Kaulantak Peeth is still practising and teaching the original form of Gayatri Sadhna along with all Her secret forms and traditions. Many of you are not aware that the Holy Hans Kund is related to Bhagwan Shri Brahma Ji and His Shakti Goddess Brahma Gayatri. The ancient tradition and history of Gayatri Sadhna and Brahma Sadhna are linked with the ‘Hans Kund Teertha Yatra’ (the holy pilgrimage) of Kaulantak Peeth. Therefore there is a long history of Kaulantak Peeth related to Gayatri Sadhna. Since the whole world is talking about the Kashmiri Pundits’ genocide these days, so Kaulantak Peeth dedicated the Gayatri Sadhna Camp to the great Kashmiri Pundits who were great Sadhaks themselves. We pray to revive the legacy of Acharyas like Mahasiddha Abhinav Gupta and we also demand justice for Kashmiri Pundits. International Kaulantak Siddha Vidya Peeth (IKSVP) presents you with the glimpses of the ‘Gayatri Sadhna Deeksha Camp’ that was held in collaboration with Kaulantak Peeth, on March 30th and March 31st, 2022 respectively, in West Bengal, India. This spiritual initiation camp was conducted under direct supervision of His Holiness, Kaulantak Nath, Mahasiddha Ishaputra. Highlights: Day 1 began with the guided visualisation session and the seekers prepared themselves to dive into the subtle and mystical world of Goddess Gayatri with the introductory class on Gayatri Devi and the Gayatri Mantra. The seekers prepared their body and mind to receive the knowledge from His Holiness through the Yoga session, and Banshira Yuddha Kala followed by the Kaulachar session with the IKSVP Acharyas. His Holiness, Kaulantak Nath blessed the seekers, who came from across the world, and gave Darshan on the early evening of March 30, 2022. His Holiness then explained the participants the mystical aspects of the most powerful mantra given by the Bhagwan Shri #Vashishth and Bhagwan Shri #Vishvamitra. On Day 2, the seekers were introduced to the Sacred Geometry Yantra of Goddess Gayatri and the ‘Awaran Poojan’ of the ‘Yantra Mandal’ was conducted by everyone under the grace of His Holiness, Mahasiddha Ishaputra. On the auspicious night of March 31st, many seekers transformed into the Sadhaks of the Goddess Gayatri when His Holiness, Kaulantak Nath, Mahasiddha Ishaputra spiritually initiated them through ‘Sparsh Deeksha’ (touching their forehead) into the Gayatri Sadhna. Few had tears of joy in their eyes while most were spell-bounded by the grace of the greatest living Mahayogi on the Planet. Om Shri Gurumandalay Namah. Om Shri MahaHimalayay Namah. Om Sam Siddhay Namah. Om Namo Bhagawati Kurukelle. Om Shri PadmaPriya Suramya Ramapati Ishaputraye Namah. Namo Adesh!!!! #GayatriSadhana #GayatriMantra #GayatriDeeksha #Ishaputra #MahasiddhaIshaputra #KaulantakPeeth #HimalayanSiddhas #MahayogiSatyendraNath #Kaulachara #DevParampara #Spirituality #India #SambhalaSamrajya #Kalki #Dharm #Hindu #Hindutva #Sanatan #Sanskriti #Parampara #Gurukul #GuruShishyaParampara #Gurumandal #Gurumandala #Himalaya #AbhinavGupt #JusticeForKashmiriPandits #Hanskund #TeerthYatra

Helping others is one of the greatest purposes of life because it creates kindness, connection, and meaning. When we extend a hand to someone in need, we not only ease their struggles but also enrich our own hearts with compassion and gratitude. Acts of service, whether big or small, ripple outward—spreading hope, building trust, and inspiring others to do the same. Life becomes more fulfilling when it is not lived only for oneself, but shared with others in a spirit of generosity and care. In helping others, we discover the true joy and strength of being human.' -Life Unfold #scrolllink #maya #mayotube #incircle #BigXprime #Mayopedia

MUNNAR FAMILY TRIP /OUTING/ VISIT IN PHOTO POINT #Nature #love #green #rain #hillsstation #forest #love #song #music #memories #life

International Kaulantak Siddha Vidya Peeth is delighted to announce yet another profoundly divine and awe-inspiring Sādhanā Shivir, dedicated to a rare and fearsome deity — Kankāla Bhairav. This sacred 2-day intensive course will be held on 29th & 30th September 2025, offering aspirants a unique opportunity to connect with the fierce yet supremely transformative energies of this unparalleled form of Swachchhand Bhairava Shiva called Kankāla Bhairava. Kaṅkāla Bhairava Tantra holds a very special place in Siddha Dharma, counted among its most profound and advanced of the sadhanas. Kankala Bhairava sadhana is one of the Five most advanced and highest level of sadhanas in Siddha Dharma. This is the most difficult sadhana to accomplish. No other sadhana more difficult than this exists in this universe. The Karmkand rituals of this sadhana is the most difficult among all the sadhanas in the Siddha Dharma. Kaṅkālā Bhairava is the skeletal manifestation of Swachchhand Bhairava Bhagwan Shiva, adorned with 108 skulls and bone ornaments. He embodies both the dissolution of the universe and the very principle that sustains all existence. In Siddha Dharma, he represents that absolute essence beyond which nothing remains. The symbolism of Kaṅkāla is profound. He teaches that the final destiny of both the individual soul and the cosmos is to be stripped bare of all coverings (āvaraṇas). Every layer—whether of body, mind, ego, or even the mighty play of Śakti Tattva—is dissolved. What remains is the naked, unadorned truth: the eternal foundation on which life, death, and the entire universe rests. To meditate upon Kaṅkālā Bhairava is to confront the deepest reality—that all forms, no matter how grand, eventually return to their essence. In that essence lies liberation, fearlessness, and the unshakable realisation of the Absolute. #kankaalbhairav #kankalbhairav #kankalabhairava #Bhairava #kankal #himalayandevaparamapara #SiddhaDharma #himalayansiddhatradition #lordshiva #bhagwanshiv #mahadev #SwachhandBhairav #kurukulla #siddhapedia #KaulantakPeeth #KulantPeeth #Ishaputra #mahasiddhaishaputra #MahayogiSatyendraNath #meditation #sanatandharma #HimalayanSiddhas #hindu #adhyaatma #himalayangods