• Palak Muchhal - Self Made. Helped over 3,800 underprivileged children receive heart surgeries

    Divija Bhasin - Married a rich man. Made him fund her business. Now spreads hate against Men. Grooming minor girls to call themselves Proud R*ndi

    Girls : Choose ur role model wisely

    #kaliyug #Randi #Faminist #Palak Muchhal #DivijaBhasin #Malechchh
    Palak Muchhal - Self Made. Helped over 3,800 underprivileged children receive heart surgeries ❤️❤️❤️🙏🙏🌼🌼 Divija Bhasin - Married a rich man. Made him fund her business. Now spreads hate against Men. Grooming minor girls to call themselves Proud R*ndi 🤮🤮🤮😡😡😡 Girls : Choose ur role model wisely #kaliyug #Randi #Faminist #Palak Muchhal #DivijaBhasin #Malechchh
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  • Ghor kaliyug aa gaya Vaishno Mata ji bhi badal gayi iss yug main jin malechchho ka sarvnash karana hai unko hi Sahayata wah

    #scrolllink #devi #vishnoDevi #education #hindu
    🤯 Ghor kaliyug aa gaya 😤😤😤 Vaishno Mata ji bhi badal gayi iss yug main 😡😡😡 jin malechchho ka sarvnash karana hai unko hi Sahayata wah 😤😤 #scrolllink #devi #vishnoDevi #education #hindu
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  • Evolution of priorities: from morals to money.”

    #kaliyug #money #monkey #scrolllink
    Evolution of priorities: from morals to money.” 💵🐒 #kaliyug #money #monkey #scrolllink
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  • Irony at its peak

    #kaliyug #irony #scrolllink #animals
    Irony at its peak😭 #kaliyug #irony #scrolllink #animals
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  • Mohit Singh married Namrata 11 years ago. He alleged that his wife had illicit relationships due to which he was frustrated . When he complained to his father in law, Rajkumar Singh Rajawat about the same, he threatened to send him to jail. Mohit claimed that on June 22nd, his father-in-law stole jewelry from his home.

    Troubled by all of these, his son-in-law hired two young men to mu*der his father-in-law.

    A contract of Rs. 6 lakh was given to a man, Rishabh. Rishabh and his companion strangled the father-in-law with a rope and then stabbed him to death. 

    Mohit had also hatched a conspiracy to get his wife Namrata killed by crushing her with a car but before he could do that, he was arrested by the police. 

    Based on evidence and CCTV footage, the police arrested the son-in-law, who confessed the entire truth. The police are searching for two absconding contract killers.

    NOW WHO DO YOU THINK IS RESPONSIBLE FOR THIS SITUATION?

    #formenidia #law #wife #kaliyug #fatherinlaw #scrolllink
    Mohit Singh married Namrata 11 years ago. He alleged that his wife had illicit relationships due to which he was frustrated . When he complained to his father in law, Rajkumar Singh Rajawat about the same, he threatened to send him to jail. Mohit claimed that on June 22nd, his father-in-law stole jewelry from his home. Troubled by all of these, his son-in-law hired two young men to mu*der his father-in-law. A contract of Rs. 6 lakh was given to a man, Rishabh. Rishabh and his companion strangled the father-in-law with a rope and then stabbed him to death.  Mohit had also hatched a conspiracy to get his wife Namrata killed by crushing her with a car but before he could do that, he was arrested by the police.  Based on evidence and CCTV footage, the police arrested the son-in-law, who confessed the entire truth. The police are searching for two absconding contract killers. NOW WHO DO YOU THINK IS RESPONSIBLE FOR THIS SITUATION? #formenidia #law #wife #kaliyug #fatherinlaw #scrolllink
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  • Malechchh log Mal yukt soch

    #malechchh #kaliyug #scrolllink
    Malechchh log Mal 💩 yukt soch 😡 #malechchh #kaliyug #scrolllink
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  • कलाकार तो सिर्फ़ इंडिया मे ही पैदा होते हैं यकीन ना हो तो खुद ही देख लो..

    #kaliyug #sctolllink #india #latth
    कलाकार तो सिर्फ़ इंडिया मे ही पैदा होते हैं यकीन ना हो तो खुद ही देख लो..😎 #kaliyug #sctolllink #india #latth
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  • घोर कलयुग आ गया है आज इंसानियत भी शर्मसार है

    पद्मश्री से सम्मानित श्रीनाथ खंडेलवाल जी जिनकी 80 करोड़ की संपत्ति थी

    सैकड़ों किताबें लिखीं लोगों को जीने की राह दिखाई वही बुजुर्ग वृद्धाश्रम में अकेले मर गए।

    सोचिए, जिन बच्चों के लिए उन्होंने सब कुछ किया
    वही बेटे-बेटी उनकी मौत की खबर सुनकर भी नहीं आए
    ना अंतिम दर्शन, ना कंधा, बस "हम व्यस्त हैं" कह दिया

    उनके बच्चों ने सारी जायदाद हड़प ली, और बीमार पिता को सड़क पर छोड़ दिया।

    फिर समाजसेवी लोग उन्हें वृद्धाश्रम लेकर गए, जहां उनकी सेवा होती रही।

    पर मरते दम तक कोई अपना हाल पूछने नहीं आया।

    जब उनकी मौत हुई, तो समाज के लोगों ने चंदा जुटाकर उनका अंतिम संस्कार किया।
    और जिन बच्चों को उनकी संपत्ति चाहिए थी, उन्हें पिता के लिए वक्त नहीं मिला।

    सच कहा गया है —
    “पुत कपूत तो का धन संचय, पुत सपूत तो का धन संचय।”

    सलाम उन समाजसेवियों को जिन्होंने इंसानियत निभाई,
    और शर्म उन औलादों पर जिन्होंने पिता के प्यार की कद्र नहीं की।

    #pita #father #Oldage #life #kaliyug #scrolllink
    घोर कलयुग आ गया है आज इंसानियत भी शर्मसार है पद्मश्री से सम्मानित श्रीनाथ खंडेलवाल जी जिनकी 80 करोड़ की संपत्ति थी सैकड़ों किताबें लिखीं लोगों को जीने की राह दिखाई वही बुजुर्ग वृद्धाश्रम में अकेले मर गए। सोचिए, जिन बच्चों के लिए उन्होंने सब कुछ किया वही बेटे-बेटी उनकी मौत की खबर सुनकर भी नहीं आए ना अंतिम दर्शन, ना कंधा, बस "हम व्यस्त हैं" कह दिया 😡 उनके बच्चों ने सारी जायदाद हड़प ली, और बीमार पिता को सड़क पर छोड़ दिया। फिर समाजसेवी लोग उन्हें वृद्धाश्रम लेकर गए, जहां उनकी सेवा होती रही। पर मरते दम तक कोई अपना हाल पूछने नहीं आया। जब उनकी मौत हुई, तो समाज के लोगों ने चंदा जुटाकर उनका अंतिम संस्कार किया। और जिन बच्चों को उनकी संपत्ति चाहिए थी, उन्हें पिता के लिए वक्त नहीं मिला। सच कहा गया है — “पुत कपूत तो का धन संचय, पुत सपूत तो का धन संचय।” सलाम उन समाजसेवियों को जिन्होंने इंसानियत निभाई, और शर्म उन औलादों पर जिन्होंने पिता के प्यार की कद्र नहीं की। #pita #father #Oldage #life #kaliyug #scrolllink
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  • Kahan jaayen iss kaliyug men
    घूंघट में खड़ी महिला के कारनामे सुनकर आप चौंक जाएंगे !

    इस महिला ने ऑनलाइन 150 रुपए में जहर मंगाकर पति को दही में मिला कर खिला दिया , जब पति की हालत खराब हुई तो परिजन अस्पताल ले गए !

    पति की जान बच गई , अगले दिन डिस्चार्ज होकर घर आ गया , तब इसने फिर से खिचड़ी में जहर मिला कर खिला दिया !

    इस बार पति की मौत हो गई , परिजनों ने स्वाभाविक मौत समझ कर क्रिया कर्म भी कर दिया !

    लेकिन डेढ़ महीने बाद सास ने थाने में तहरीर दी कि मेरी बहु के चाल चलन सही नहीं लग रहे हैं,

    पति की मौत का उसे कोई दुख नहीं है और उसका कोई पड़ोसी दिन भर घर में आता जाता रहता हैं!

    पुलिस ने जब कड़ाई से पूछताछ की तो सारा गुनाह दोनों ने कबूल कर लिया!

    #poison #scrolllink #kaliyug #wife
    Kahan jaayen iss kaliyug men ☹️☹️ घूंघट में खड़ी महिला के कारनामे सुनकर आप चौंक जाएंगे ! इस महिला ने ऑनलाइन 150 रुपए में जहर मंगाकर पति को दही में मिला कर खिला दिया , जब पति की हालत खराब हुई तो परिजन अस्पताल ले गए ! पति की जान बच गई , अगले दिन डिस्चार्ज होकर घर आ गया , तब इसने फिर से खिचड़ी में जहर मिला कर खिला दिया ! इस बार पति की मौत हो गई , परिजनों ने स्वाभाविक मौत समझ कर क्रिया कर्म भी कर दिया ! लेकिन डेढ़ महीने बाद सास ने थाने में तहरीर दी कि मेरी बहु के चाल चलन सही नहीं लग रहे हैं, पति की मौत का उसे कोई दुख नहीं है और उसका कोई पड़ोसी दिन भर घर में आता जाता रहता हैं! पुलिस ने जब कड़ाई से पूछताछ की तो सारा गुनाह दोनों ने कबूल कर लिया! #poison #scrolllink #kaliyug #wife
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  • Rani Ki Vav at Patan, Gujarat also known as Queen's Stepwell
    Rani Ki Vav, Patan
    Queen's Stepwell, A UNESCO World Heritage Site

    Patan is a district in the state of Gujarat, located at 125kms distance from Ahmedabad. Patan was once the capital of the state in historic times located on the banks of the (lost) Saraswati River. Nestled in the hustle and bustle of the city Patan, lies an “Architectural Wonder” – Rani Ki Vav. It is also known as “Rani Ni Vav” in Gujarati local dialect. This is a 7 storeyed Magnificent Stepwell, which is built using scientific principles for storing water.

    Back in 11th century, Udaymati, Queen of the King Bhimadev I from Solanki(Chalukya) Dynasty, expressed her desire to build a stepwell. This stepwell, she ordered to build is in the memory of her beloved husband.

    Rani ki Vav is one of the UNESCO World Heritage sites in India.
    The new ₹100 rupee currency note has a picture of this stepwell.

    Let’s have a visual tour of Stepwell
    As you walk towards this site, it doesn’t appeal very much. Just a compound wall and some—Well Kept—landscaping work is done around it. The more you approach it, the more it starts appealing. When you reach the main entrance, the Jaw-Dropping view absorbs you in it. Perspective steps going deep down towards the well-shaft are accompanied by intricately carved idols of gods and goddesses. Each idol is as magnificent as if they are living things. The far end is of this stepwell—which is a well-shaft—is not even clearly visible from the first step.

    Constructional Aspects

    Rani ki Vav was constructed as a religious as well as a functional structure. The expanse of this stepwell is roughly 1610 sq.m. and 70m length from the base of Toran—Sacred Gateway—to the inner edge of well-shaft. Its 23m in width and 28m in depth. Rani Ki Vav is constructed like an inverted temple highlighting the sanctity of water. It is built on the East-West axis, “Step-Corridor” being in the east and “Well” on the west.

    Ceremonial Entrance (Toran Dwaar)
    The first architectural object you see as you step down, is the remains of a pillar base. This evidently confirms the presence of Toran Dwaar – A Ceremonial Entrance. In 19th century, a survey was conducted for Rani Ki Vav. James Burgess and Henry Cousens were two archeologists who had mentioned about these pillars in the survey.

    The Toran was comprised of 2 freely standing pillars, which were connected by an ornate arch at their upper sections. Towards the west side from this entrance, downward leading steps make a way to the edge of the well.

    Ceremonial Entrance (Toran Dwaar)Ceremonial Entrance (Toran Dwaar)
    Architecture and Decorative Work
    Rani ki vav is a seven storeyed and inverted temple like structure. It has 4 pavilions downwards from east to west and then lastly a Well Shaft. Below is a picture taken from first pavellion. You can see other 3 Pavilions as well. Rani ki Vav is a Maru-Gurjara style architecture. A style of “temple architecure” which is originated from the Gujarat & Rajasthan in historic times.

    All the 7 levels were open for public and tourists were able to go down to the well. Then there was a powerful earthquake in Bhuj which rocked the state of Gujarat in 2001. After this earchquake, out of 7 levels, only 4 levels are left open for public to ensure the safety & security.

    There is a great diversity of themes:
    Divine Figures: Devi or Goddess, Brahma, Vishnu, Shiva, Ganesha in their respective incarnations and form

    Sacred & Mythical Representation Figures: Dikpalas, Sacred flora and fauna, Apsara, Nagkanya, Vasus and scenes from epics
    Reflection of Contemporary Society
    Buddha, Kalki and Mahishasurmardini sculptureFrom left Buddha, Kalki and Mahishasurmardini Sculpture
    Mahishasurmardini is one of the forms of a goddess “Durga” who is killing a demon called Mahishasur.

    MahishasurmardiniMahishasurmardini
    Sculptures in Rani ki Vav are displayed in a pattern, where main deities are displayed in niches. These main deities are flanked by semi divine figures like Apsaras, Nagkanya, Dikpalas and Yogini.&
    Sheshshayi Vishnu Sculpture

    During medieval times in Gujarat, there was a tradition of installing “A Sheshshayi Vishnu” sculpture inside the Stepwell, Kunda or Temples. Which you can see in Modhera Sun Temple as well. Sheshshayi Vishnu is represented in 3 successive niches in 3 levels on the rear wall of the Well Shaft. One between the first and second pavillion on the niche of the north wall.

    In addition to this, out of 24 forms of the lord Vishnu, following forms are present in Rani ki Vav:

    Keshava, Narayana, Govinda, Vishnu, Trivikrama, Vamana, Sridhara, Padmanabha, Damodar, Samkarsana, Aniruddha, Purusottama, Narsimha, Hari. Moreover 10 famous incarnations are also represented. But among those 10 incarnations; Varah, Narsimha, Vaman, Parshuram, Ram, Balram, Buddha and Kalki (future incarnation at the end of Kaliyug) are clearly identified in Rani ki Vav. Buddha is shown as an incarnation of the lord Vishnu here.

    A Bhairav—fierce form of the lord Shiv—is represented in a dancing pose here. If you take a closer look down on his right side, the dog is snatching a piece from the decapitated corpse. Licking the blood oozing from the freshly cut head that Bhairava is holding in his hand.

    Vishnu On Left and Bhairav on rightVishnu On the Left and Bhairav on the Right
    Brahma, Mahesh & Vishnu With Their Consort
    When you reach near the well (at 4th pavillion) you can see the panel of “Brahma, Mahesh & Vishnu with Their Consort”. The Top left side of front wall is decorated with the idols of Tridev(Ttriple deity of Supreme Divinity in Hinduism). Their Vahan is also present near each of them, Swan, Bull and Garuda respectively.

    Front wall sculptures from bottom levelFront wall sculptures at base level
    Brahma Mahesh and Vishnu with their consortsBrahma Mahesh & Vishnu With Their Consort

    On the Top-Right side of the front wall, you can see Ganesh with his Consort and then Maha-Lakshmi and Kuber idols are also present. These three are considered as Gods of Luck.

    Other Sculptures in Rani ki Vav

    Dikpals (Guardians of Eight Directions) also appear on the walls of Rani ki Vav.

    8 Vasus are present on the walls with human body and Cow head in folded hands (Namaskar position).

    Nav graha are represented in a complete set, over Sheshshayi Vishnu on the Well Shaft. Sun (Surya), Moon (Chandra), Mercury (Budha also known as Grahpati), Venus (Shukra), Mars (Mangal), Jupiter (Brihaspati), Saturn (Shani), Rahu and Ketu constitute Nine Planets called Nav Graha.
    Dikpal - Guardian of directionDikpal – Guardian of A Direction

    A Marble sculpture of 48cm height was recovered while de-silting in 1987-88. This sculpture has an inscription in devnagari(indian script) “Maharajani Shri Udayamati”. Due to time constraints, we did not get a chance to see this sculpture. Hence, have no idea where it is kept (May be in museum).

    Rani Ki Vav is built using burnt bricks, lime mortar, and locally available “Dhrangadhra” stone. Larger blocks of stones were joined by Rosewood Dowels and placed on the ground, forming the floor of the steps and terraces.

    Interlocking system with woodInterlocking System With Wood

    A small glass plate was attached at several places where cracks are visible. These cracks were developed after Bhuj’s Earthquake. Upon asking about the purpose of these glass plates, our guide told us they are attached to keep the track of changes in such sections. When the stress on such sections will be increased, these glass plates will break and give an indication for safety.

    #thehinduheritage #CulturalHeritage
    #thehindugodsandgoddesses #scrolllink #bharat
    Rani Ki Vav at Patan, Gujarat also known as Queen's Stepwell Rani Ki Vav, Patan Queen's Stepwell, A UNESCO World Heritage Site Patan is a district in the state of Gujarat, located at 125kms distance from Ahmedabad. Patan was once the capital of the state in historic times located on the banks of the (lost) Saraswati River. Nestled in the hustle and bustle of the city Patan, lies an “Architectural Wonder” – Rani Ki Vav. It is also known as “Rani Ni Vav” in Gujarati local dialect. This is a 7 storeyed Magnificent Stepwell, which is built using scientific principles for storing water. Back in 11th century, Udaymati, Queen of the King Bhimadev I from Solanki(Chalukya) Dynasty, expressed her desire to build a stepwell. This stepwell, she ordered to build is in the memory of her beloved husband. Rani ki Vav is one of the UNESCO World Heritage sites in India. The new ₹100 rupee currency note has a picture of this stepwell. Let’s have a visual tour of Stepwell As you walk towards this site, it doesn’t appeal very much. Just a compound wall and some—Well Kept—landscaping work is done around it. The more you approach it, the more it starts appealing. When you reach the main entrance, the Jaw-Dropping view absorbs you in it. Perspective steps going deep down towards the well-shaft are accompanied by intricately carved idols of gods and goddesses. Each idol is as magnificent as if they are living things. The far end is of this stepwell—which is a well-shaft—is not even clearly visible from the first step. Constructional Aspects Rani ki Vav was constructed as a religious as well as a functional structure. The expanse of this stepwell is roughly 1610 sq.m. and 70m length from the base of Toran—Sacred Gateway—to the inner edge of well-shaft. Its 23m in width and 28m in depth. Rani Ki Vav is constructed like an inverted temple highlighting the sanctity of water. It is built on the East-West axis, “Step-Corridor” being in the east and “Well” on the west. Ceremonial Entrance (Toran Dwaar) The first architectural object you see as you step down, is the remains of a pillar base. This evidently confirms the presence of Toran Dwaar – A Ceremonial Entrance. In 19th century, a survey was conducted for Rani Ki Vav. James Burgess and Henry Cousens were two archeologists who had mentioned about these pillars in the survey. The Toran was comprised of 2 freely standing pillars, which were connected by an ornate arch at their upper sections. Towards the west side from this entrance, downward leading steps make a way to the edge of the well. Ceremonial Entrance (Toran Dwaar)Ceremonial Entrance (Toran Dwaar) Architecture and Decorative Work Rani ki vav is a seven storeyed and inverted temple like structure. It has 4 pavilions downwards from east to west and then lastly a Well Shaft. Below is a picture taken from first pavellion. You can see other 3 Pavilions as well. Rani ki Vav is a Maru-Gurjara style architecture. A style of “temple architecure” which is originated from the Gujarat & Rajasthan in historic times. All the 7 levels were open for public and tourists were able to go down to the well. Then there was a powerful earthquake in Bhuj which rocked the state of Gujarat in 2001. After this earchquake, out of 7 levels, only 4 levels are left open for public to ensure the safety & security. There is a great diversity of themes: Divine Figures: Devi or Goddess, Brahma, Vishnu, Shiva, Ganesha in their respective incarnations and form Sacred & Mythical Representation Figures: Dikpalas, Sacred flora and fauna, Apsara, Nagkanya, Vasus and scenes from epics Reflection of Contemporary Society Buddha, Kalki and Mahishasurmardini sculptureFrom left Buddha, Kalki and Mahishasurmardini Sculpture Mahishasurmardini is one of the forms of a goddess “Durga” who is killing a demon called Mahishasur. MahishasurmardiniMahishasurmardini Sculptures in Rani ki Vav are displayed in a pattern, where main deities are displayed in niches. These main deities are flanked by semi divine figures like Apsaras, Nagkanya, Dikpalas and Yogini.& Sheshshayi Vishnu Sculpture During medieval times in Gujarat, there was a tradition of installing “A Sheshshayi Vishnu” sculpture inside the Stepwell, Kunda or Temples. Which you can see in Modhera Sun Temple as well. Sheshshayi Vishnu is represented in 3 successive niches in 3 levels on the rear wall of the Well Shaft. One between the first and second pavillion on the niche of the north wall. In addition to this, out of 24 forms of the lord Vishnu, following forms are present in Rani ki Vav: Keshava, Narayana, Govinda, Vishnu, Trivikrama, Vamana, Sridhara, Padmanabha, Damodar, Samkarsana, Aniruddha, Purusottama, Narsimha, Hari. Moreover 10 famous incarnations are also represented. But among those 10 incarnations; Varah, Narsimha, Vaman, Parshuram, Ram, Balram, Buddha and Kalki (future incarnation at the end of Kaliyug) are clearly identified in Rani ki Vav. Buddha is shown as an incarnation of the lord Vishnu here. A Bhairav—fierce form of the lord Shiv—is represented in a dancing pose here. If you take a closer look down on his right side, the dog is snatching a piece from the decapitated corpse. Licking the blood oozing from the freshly cut head that Bhairava is holding in his hand. Vishnu On Left and Bhairav on rightVishnu On the Left and Bhairav on the Right Brahma, Mahesh & Vishnu With Their Consort When you reach near the well (at 4th pavillion) you can see the panel of “Brahma, Mahesh & Vishnu with Their Consort”. The Top left side of front wall is decorated with the idols of Tridev(Ttriple deity of Supreme Divinity in Hinduism). Their Vahan is also present near each of them, Swan, Bull and Garuda respectively. Front wall sculptures from bottom levelFront wall sculptures at base level Brahma Mahesh and Vishnu with their consortsBrahma Mahesh & Vishnu With Their Consort On the Top-Right side of the front wall, you can see Ganesh with his Consort and then Maha-Lakshmi and Kuber idols are also present. These three are considered as Gods of Luck. Other Sculptures in Rani ki Vav Dikpals (Guardians of Eight Directions) also appear on the walls of Rani ki Vav. 8 Vasus are present on the walls with human body and Cow head in folded hands (Namaskar position). Nav graha are represented in a complete set, over Sheshshayi Vishnu on the Well Shaft. Sun (Surya), Moon (Chandra), Mercury (Budha also known as Grahpati), Venus (Shukra), Mars (Mangal), Jupiter (Brihaspati), Saturn (Shani), Rahu and Ketu constitute Nine Planets called Nav Graha. Dikpal - Guardian of directionDikpal – Guardian of A Direction A Marble sculpture of 48cm height was recovered while de-silting in 1987-88. This sculpture has an inscription in devnagari(indian script) “Maharajani Shri Udayamati”. Due to time constraints, we did not get a chance to see this sculpture. Hence, have no idea where it is kept (May be in museum). Rani Ki Vav is built using burnt bricks, lime mortar, and locally available “Dhrangadhra” stone. Larger blocks of stones were joined by Rosewood Dowels and placed on the ground, forming the floor of the steps and terraces. Interlocking system with woodInterlocking System With Wood A small glass plate was attached at several places where cracks are visible. These cracks were developed after Bhuj’s Earthquake. Upon asking about the purpose of these glass plates, our guide told us they are attached to keep the track of changes in such sections. When the stress on such sections will be increased, these glass plates will break and give an indication for safety. #thehinduheritage #CulturalHeritage #thehindugodsandgoddesses #scrolllink #bharat
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  • In this era of Kaliyug, when distractions, negativity, and material desires dominate human life, sadhana (spiritual practice) holds immense significance. It serves as a guiding light that helps individuals rise above restlessness and ignorance, reconnecting them with inner peace and divine consciousness. While the external world promotes speed, competition, and attachment, sadhana cultivates patience, discipline, and self-awareness, allowing the soul to remain steady amidst chaos. By engaging in regular spiritual practice—be it meditation, mantra chanting, or devotion—one strengthens the inner self, purifies the mind, and moves closer to liberation, making sadhana not just relevant but essential in Kaliyug.

    #sadhana #tapasya #shiva #kurukulla #ishaputra #MahayogiSatyendraNath #kulantpeeth #kaulantakpeeth
    In this era of Kaliyug, when distractions, negativity, and material desires dominate human life, sadhana (spiritual practice) holds immense significance. It serves as a guiding light that helps individuals rise above restlessness and ignorance, reconnecting them with inner peace and divine consciousness. While the external world promotes speed, competition, and attachment, sadhana cultivates patience, discipline, and self-awareness, allowing the soul to remain steady amidst chaos. By engaging in regular spiritual practice—be it meditation, mantra chanting, or devotion—one strengthens the inner self, purifies the mind, and moves closer to liberation, making sadhana not just relevant but essential in Kaliyug. #sadhana #tapasya #shiva #kurukulla #ishaputra #MahayogiSatyendraNath #kulantpeeth #kaulantakpeeth
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