BREAKING: Portugal bans burqas and niqabs in public places, with fines up to 4,000 euros. Muslim men who force their wives or female relatives to wear one will also face 3 years in prison. Burqas were described as a ‘symbol of women’s oppression and a threat to public safety.’ #portugal #ban #burqa #muslim #scrolllink

😛😛😛😛😛just poochhing … #scrolllink #Diwali #public #hindus

International Kaulantak Siddha Vidya Peeth is honoured to share some glimpses from the recently conducted deeply sacred Poornabhishek Sadhana Shivir. The day commenced with early morning yoga, which forms an integral part of the daily discipline in our Siddha Dharma tradition. This foundational practice not only prepares the body and mind for deeper spiritual work but also aligns the practitioner with the inner rhythm of the sadhana. This particular sadhana course was more oriented toward karmkand (ritualistic practices). Several intricate and sacred rituals were conducted throughout the day, all meticulously performed under the direct guidance of Mahasiddha Ishaputra, whose presence infused the entire atmosphere with profound spiritual energy. Poornabhishek Sadhana, regarded as one of the most advanced and difficult-to-attain spiritual practices within the Siddha Dharma lineage. Due to its highly esoteric and elevated nature, participation in this sadhana requires the fulfillment of multiple eligibility criteria. Only those Bhairavs and Bhairavis who had previously completed a specific sequence of sadhanas were permitted to attend. For this reason, the event was not publicly announced in advance. Entry was restricted to eligible practitioners who had already been initiated into the necessary stages of spiritual discipline. This ensured the sanctity and integrity of the shivir, allowing for a highly focused and elevated environment. After the initial yoga session, Mahasiddha Ishaputra made his gracious arrival, bringing with him a wave of divine energy that immediately uplifted the gathering. He began the proceedings by imparting profound spiritual wisdom about the Poornabhishek Sadhana — elucidating its significance, purpose, and role in the broader spiritual journey of a sadhak. Following this discourse, a series of karmkand rituals were performed, each deeply symbolic and spiritually potent. These rituals were carried out with the highest levels of precision and devotion, creating a powerful field of transformation for all present. The day concluded with a late-night theory class, once again led by Mahasiddha Ishaputra, where he continued to deepen the participants’ understanding of Siddha Dharma and the inner mechanics of the sadhana. (Day 1) #Poornabhishek #purnabhishek #abhishek #sadhana #himalayantantra #himalayandevaparamapara #SiddhaDharma #SiddhaTradition #lordshiva #bhagwanshiv #mahadev #SwachhandBhairav #kurukulla #AncientWisdom #siddhapedia #KaulantakPeeth #KulantPeeth #Ishaputra #mahasiddhaishaputra #MahayogiSatyendraNath #meditation #sanatandharma #tantrikhealing #hiddendeities #transformation #spiritualjourney #HimalayanSiddhas #hindu #adhyaatma

Rani Ki Vav at Patan, Gujarat also known as Queen's Stepwell Rani Ki Vav, Patan Queen's Stepwell, A UNESCO World Heritage Site Patan is a district in the state of Gujarat, located at 125kms distance from Ahmedabad. Patan was once the capital of the state in historic times located on the banks of the (lost) Saraswati River. Nestled in the hustle and bustle of the city Patan, lies an “Architectural Wonder” – Rani Ki Vav. It is also known as “Rani Ni Vav” in Gujarati local dialect. This is a 7 storeyed Magnificent Stepwell, which is built using scientific principles for storing water. Back in 11th century, Udaymati, Queen of the King Bhimadev I from Solanki(Chalukya) Dynasty, expressed her desire to build a stepwell. This stepwell, she ordered to build is in the memory of her beloved husband. Rani ki Vav is one of the UNESCO World Heritage sites in India. The new ₹100 rupee currency note has a picture of this stepwell. Let’s have a visual tour of Stepwell As you walk towards this site, it doesn’t appeal very much. Just a compound wall and some—Well Kept—landscaping work is done around it. The more you approach it, the more it starts appealing. When you reach the main entrance, the Jaw-Dropping view absorbs you in it. Perspective steps going deep down towards the well-shaft are accompanied by intricately carved idols of gods and goddesses. Each idol is as magnificent as if they are living things. The far end is of this stepwell—which is a well-shaft—is not even clearly visible from the first step. Constructional Aspects Rani ki Vav was constructed as a religious as well as a functional structure. The expanse of this stepwell is roughly 1610 sq.m. and 70m length from the base of Toran—Sacred Gateway—to the inner edge of well-shaft. Its 23m in width and 28m in depth. Rani Ki Vav is constructed like an inverted temple highlighting the sanctity of water. It is built on the East-West axis, “Step-Corridor” being in the east and “Well” on the west. Ceremonial Entrance (Toran Dwaar) The first architectural object you see as you step down, is the remains of a pillar base. This evidently confirms the presence of Toran Dwaar – A Ceremonial Entrance. In 19th century, a survey was conducted for Rani Ki Vav. James Burgess and Henry Cousens were two archeologists who had mentioned about these pillars in the survey. The Toran was comprised of 2 freely standing pillars, which were connected by an ornate arch at their upper sections. Towards the west side from this entrance, downward leading steps make a way to the edge of the well. Ceremonial Entrance (Toran Dwaar)Ceremonial Entrance (Toran Dwaar) Architecture and Decorative Work Rani ki vav is a seven storeyed and inverted temple like structure. It has 4 pavilions downwards from east to west and then lastly a Well Shaft. Below is a picture taken from first pavellion. You can see other 3 Pavilions as well. Rani ki Vav is a Maru-Gurjara style architecture. A style of “temple architecure” which is originated from the Gujarat & Rajasthan in historic times. All the 7 levels were open for public and tourists were able to go down to the well. Then there was a powerful earthquake in Bhuj which rocked the state of Gujarat in 2001. After this earchquake, out of 7 levels, only 4 levels are left open for public to ensure the safety & security. There is a great diversity of themes: Divine Figures: Devi or Goddess, Brahma, Vishnu, Shiva, Ganesha in their respective incarnations and form Sacred & Mythical Representation Figures: Dikpalas, Sacred flora and fauna, Apsara, Nagkanya, Vasus and scenes from epics Reflection of Contemporary Society Buddha, Kalki and Mahishasurmardini sculptureFrom left Buddha, Kalki and Mahishasurmardini Sculpture Mahishasurmardini is one of the forms of a goddess “Durga” who is killing a demon called Mahishasur. MahishasurmardiniMahishasurmardini Sculptures in Rani ki Vav are displayed in a pattern, where main deities are displayed in niches. These main deities are flanked by semi divine figures like Apsaras, Nagkanya, Dikpalas and Yogini.& Sheshshayi Vishnu Sculpture During medieval times in Gujarat, there was a tradition of installing “A Sheshshayi Vishnu” sculpture inside the Stepwell, Kunda or Temples. Which you can see in Modhera Sun Temple as well. Sheshshayi Vishnu is represented in 3 successive niches in 3 levels on the rear wall of the Well Shaft. One between the first and second pavillion on the niche of the north wall. In addition to this, out of 24 forms of the lord Vishnu, following forms are present in Rani ki Vav: Keshava, Narayana, Govinda, Vishnu, Trivikrama, Vamana, Sridhara, Padmanabha, Damodar, Samkarsana, Aniruddha, Purusottama, Narsimha, Hari. Moreover 10 famous incarnations are also represented. But among those 10 incarnations; Varah, Narsimha, Vaman, Parshuram, Ram, Balram, Buddha and Kalki (future incarnation at the end of Kaliyug) are clearly identified in Rani ki Vav. Buddha is shown as an incarnation of the lord Vishnu here. A Bhairav—fierce form of the lord Shiv—is represented in a dancing pose here. If you take a closer look down on his right side, the dog is snatching a piece from the decapitated corpse. Licking the blood oozing from the freshly cut head that Bhairava is holding in his hand. Vishnu On Left and Bhairav on rightVishnu On the Left and Bhairav on the Right Brahma, Mahesh & Vishnu With Their Consort When you reach near the well (at 4th pavillion) you can see the panel of “Brahma, Mahesh & Vishnu with Their Consort”. The Top left side of front wall is decorated with the idols of Tridev(Ttriple deity of Supreme Divinity in Hinduism). Their Vahan is also present near each of them, Swan, Bull and Garuda respectively. Front wall sculptures from bottom levelFront wall sculptures at base level Brahma Mahesh and Vishnu with their consortsBrahma Mahesh & Vishnu With Their Consort On the Top-Right side of the front wall, you can see Ganesh with his Consort and then Maha-Lakshmi and Kuber idols are also present. These three are considered as Gods of Luck. Other Sculptures in Rani ki Vav Dikpals (Guardians of Eight Directions) also appear on the walls of Rani ki Vav. 8 Vasus are present on the walls with human body and Cow head in folded hands (Namaskar position). Nav graha are represented in a complete set, over Sheshshayi Vishnu on the Well Shaft. Sun (Surya), Moon (Chandra), Mercury (Budha also known as Grahpati), Venus (Shukra), Mars (Mangal), Jupiter (Brihaspati), Saturn (Shani), Rahu and Ketu constitute Nine Planets called Nav Graha. Dikpal - Guardian of directionDikpal – Guardian of A Direction A Marble sculpture of 48cm height was recovered while de-silting in 1987-88. This sculpture has an inscription in devnagari(indian script) “Maharajani Shri Udayamati”. Due to time constraints, we did not get a chance to see this sculpture. Hence, have no idea where it is kept (May be in museum). Rani Ki Vav is built using burnt bricks, lime mortar, and locally available “Dhrangadhra” stone. Larger blocks of stones were joined by Rosewood Dowels and placed on the ground, forming the floor of the steps and terraces. Interlocking system with woodInterlocking System With Wood A small glass plate was attached at several places where cracks are visible. These cracks were developed after Bhuj’s Earthquake. Upon asking about the purpose of these glass plates, our guide told us they are attached to keep the track of changes in such sections. When the stress on such sections will be increased, these glass plates will break and give an indication for safety. #thehinduheritage #CulturalHeritage #thehindugodsandgoddesses #scrolllink #bharat

गवई के शब्द थे - “यह एक पुरातात्विक खोज है। एएसआई ऐसी चीज़ की अनुमति देगा या नहीं, इस पर कई प्रश्न हैं। तब तक, यदि आप शैव मत से परहेज़ नहीं करते, तो वहाँ जाकर पूजा कर सकते हैं. वैसे वहाँ एक शिव लिंग भी है। खजुराहो के सबसे बड़े शिव लिंगों में से एक।" “यह पूरी तरह प्रचार के लिए दायर जनहित याचिका है… जाइए और स्वयं देवता से कहिए कि वे कुछ करें। अगर आप कहते हैं कि आप भगवान विष्णु के प्रबल भक्त हैं, तो प्रार्थना कीजिए और कुछ ध्यान-चिंतन कीजिए।” मूल शब्द इंग्लिश में बोले गए हैं - "It’s an archaeological find, whether the ASI would permit such a thing to be done or not… there are various issues. In the meantime, if you are not averse to Shaivism, you can go and worship there… there is a very big linga of Shiva, one of the biggest in Khajuraho." “This is purely publicity interest litigation… Go and ask the deity himself to do something. If you are saying that you are a strong devotee of Lord Vishnu, then you pray and do some meditation,”

Kaulantak Peeth would like to wish you all, a very divine "Happy Guru Poornima 2021" to all the Bhairava/Bhairavis. Because of covid-19 restrictions, the ceremony was held privately. Some few Bhairava/Bhairavis celebrated the Guru Poornima with His Holiness Mahasiddha Ishaputra. In the speech that followed, he revealed us some secrets about gurus which were not known to the public. It was a night celebration and we have some pictures that was captured and we would like to post it for you all. Lastly, Happy Guru Poornima 2021 once again. Om Sam Siddhaye namaha Om Shri Maha Himalayay Nahama Om Shri Guru Mandalaya namaha Om Shri Padma Priya Ramapati Ishaputraye Namaha Om Shri Kaulantak Peethaya Namaha Namo Adesh ji! #GuruPuranima #Ishaputra #KaulantakPeeth #MahayogiSatyendraNath #IKSVP #Shivir #Camp #Online #Sadhana #Mystic #Yogi #Sadguru #Guru #Mahaguru #ParamGuru #International #Kaulantak #SiddhaVidyaPeeth #Prabhu

A seven days residential course on "Patanjali Yoga" is currently ongoing from 23-29th September 2019 at Satara, Maharastra under His Holiness Mahasiddha Ishaputra's guidance. The course is conducted by the International Kaulantak Siddha Vidhya Peeth under the tradition of "Siddha Dharma" The second day of the course was all about the explanation of "Patanjali Yoga", its origin, history and its parents yoga along with its sister yoga. This shivir is historic in itself because His Holiness revealed some secrets of Patanjali Maharishi like his real name, guru etc which are unknown to the public. The take away of the second day was the story revealed by Mahasiddha Ishaputra on how Maharishi Patanjali embraced yoga amon many disciplines? What exactly induced him to choose yoga before tantra etc. Along with Patanjali yoga, "durdhara yoga", "vimala yoga", "pashupat yoga" were also revealed by His Holiness Mahasiddha Ishaputra. His Holiness Ishaputra also induced the participants on "Jala Yoga" and "Yoga Krida". In Jala Yoga, His Holiness along with the participants performed the jala yoga as shown in pictures. The practice of walking on a pipe is a form of yoga krida which is performed for the perfection of balance. It is also an integral part of Patanjali Yoga which many people have no idea about. We still are waiting for the update on the third day happenings. We shall update you all as soon as we receive it. Please stay connected. Namo Aadesh Om sam siddhaya namah Om gurumandalaya namah Om Priya Ishaputraya namah #KaulantakPeeth #HimalayanSiddhas #BhagwatiKurukulla #PatajaliYoga #Iksvp #MahaSiddhaIshaputra #Course #KurukullaTemple #SiddhaDharma