• Read how innocent girls fall into the trap of Love Jihad

    He’ll come wearing kalawa, talk sweetly, say “I don’t believe in Hindu–Muslim differences.” He’ll go to the temple, put tilak on your forehead, eat your food, and act like the perfect man…

    But once you trust him, he’ll start demanding physical relations, record videos, and then blackmail you to accept Islam.

    This isn’t love, it’s a trap.

    #loveJihad #trust #blackmail #islam #girls #hindu #scrolllink
    🚨 Read how innocent girls fall into the trap of Love Jihad 🙏 He’ll come wearing kalawa, talk sweetly, say “I don’t believe in Hindu–Muslim differences.” He’ll go to the temple, put tilak on your forehead, eat your food, and act like the perfect man… But once you trust him, he’ll start demanding physical relations, record videos, and then blackmail you to accept Islam. This isn’t love, it’s a trap. #loveJihad #trust #blackmail #islam #girls #hindu #scrolllink
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  • This Diwali, let us burst a few lesser crackers, eat a little less sweets, use a little less material in our worship, and offer whatever money we save to the reconstruction and service of Bhagwati Kurukulla’s temple.
    This temple belongs to all of us Bhairavs and Bhairavis — Bhagwati Kurukulla and this sacred tradition are ours.
    So, let us all come together and contribute our share for the reconstruction of Her temple.
    Click on the link below and make your offering.

    https://goddesskurukulla.com/donations/

    #SaveKurukullaTemple #Himalaya #Siddhas #MurukullaMandir #tradition
    This Diwali, let us burst a few lesser crackers, eat a little less sweets, use a little less material in our worship, and offer whatever money we save to the reconstruction and service of Bhagwati Kurukulla’s temple. This temple belongs to all of us Bhairavs and Bhairavis — Bhagwati Kurukulla and this sacred tradition are ours. So, let us all come together and contribute our share for the reconstruction of Her temple. Click on the link below and make your offering. https://goddesskurukulla.com/donations/ #SaveKurukullaTemple #Himalaya #Siddhas #MurukullaMandir #tradition
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  • Before the Temples: The Panjurli Daiva of Tulunadu

    "Paatri povonji, Daiva barpi. Mana povonji, miru barpi." (The oracle departs, the Daiva arrives. The human departs, the wild arrives.)

    In the heart of Tulunadu, where the padi (ancient sacred grove) breathes with the spirits of the land, the air does not ask for devotion. It demands it. It is thick with the scent of wet bolpu (laterite soil) and the promise of the Kar (monsoon). Here, Bhakti is not a gentle prayer, it is a trembling surrender to a force as raw as the first thunderclap. Here, Bhakti is for Panjurli.

    They do not believe in this Daiva (spirit deity). They know it. They feel it in the shiver that runs through the areca grove, in the fierce protectiveness that guards their threshold. Panjurli Daiva was not crafted by dreamers, but unleashed from the very sweat of the Divine, a primal roar given form. To offer Bhakti to Panjurli is to offer respect to the storm.

    The Murti (sacred mask/idol) is their focal point. It is not a face, but a convergence of power. Forged in silver and gold, its boar visage is a permanent challenge, the kodu (tusks) not mere metal but instruments of divine surgery, meant to gore out the infection of dosha (sin/impurity). When the devotees, the saris, gather, their gaze is not one of adoration, but of awe struck vigilance.

    When the drums (Dammamā) begin their frantic, heartbeat rhythm, it is not a call to prayer. It is a summons. The air thickens, heavy with the scent of crushed areca flowers and burning incense. The Paatri, the vessel, is no longer a man. He is a conduit. His body contorts, a puppet to a force that is anything but graceful. It is the brute, grounding shudder of the boar. His dance is not fluid, it is a powerful, stomping, a ritual of claiming territory, of shaking the very foundations of the human world to remind it of the wild one that lies beneath.

    Panjurli does not whisper sweet promises. It speaks in a voice that is a low, guttural grunt, a gravelly torrent of truth. It is the voice of the land itself, judge, jury, and protector. It roots out deceit, exposes hidden sins, and enforces the sacred codes of the community. Its justice is not nuanced, it is as direct and unforgiving as a charging boar. To stand before Panjurli is to stand naked before the raw conscience of nature, stripped of all pretense.

    This is not a god you love. This is a force you revere. A power you fear with a fear that is the beginning of wisdom. Panjurli is the spine chilling reminder that the land we build upon is alive, watching, and must be respected. It is the ancient, brute root that holds the community fast, lest it be washed away by the monsoon of its own transgressions.

    "Mana bhakti botji ayi. Mana baka didi ayi." (Our devotion is a raw offering. Our prayer is a naked truth.)"

    #pajurli #kantara #bhakti #scrolllink
    Before the Temples: The Panjurli Daiva of Tulunadu "Paatri povonji, Daiva barpi. Mana povonji, miru barpi." (The oracle departs, the Daiva arrives. The human departs, the wild arrives.) In the heart of Tulunadu, where the padi (ancient sacred grove) breathes with the spirits of the land, the air does not ask for devotion. It demands it. It is thick with the scent of wet bolpu (laterite soil) and the promise of the Kar (monsoon). Here, Bhakti is not a gentle prayer, it is a trembling surrender to a force as raw as the first thunderclap. Here, Bhakti is for Panjurli. They do not believe in this Daiva (spirit deity). They know it. They feel it in the shiver that runs through the areca grove, in the fierce protectiveness that guards their threshold. Panjurli Daiva was not crafted by dreamers, but unleashed from the very sweat of the Divine, a primal roar given form. To offer Bhakti to Panjurli is to offer respect to the storm. The Murti (sacred mask/idol) is their focal point. It is not a face, but a convergence of power. Forged in silver and gold, its boar visage is a permanent challenge, the kodu (tusks) not mere metal but instruments of divine surgery, meant to gore out the infection of dosha (sin/impurity). When the devotees, the saris, gather, their gaze is not one of adoration, but of awe struck vigilance. When the drums (Dammamā) begin their frantic, heartbeat rhythm, it is not a call to prayer. It is a summons. The air thickens, heavy with the scent of crushed areca flowers and burning incense. The Paatri, the vessel, is no longer a man. He is a conduit. His body contorts, a puppet to a force that is anything but graceful. It is the brute, grounding shudder of the boar. His dance is not fluid, it is a powerful, stomping, a ritual of claiming territory, of shaking the very foundations of the human world to remind it of the wild one that lies beneath. Panjurli does not whisper sweet promises. It speaks in a voice that is a low, guttural grunt, a gravelly torrent of truth. It is the voice of the land itself, judge, jury, and protector. It roots out deceit, exposes hidden sins, and enforces the sacred codes of the community. Its justice is not nuanced, it is as direct and unforgiving as a charging boar. To stand before Panjurli is to stand naked before the raw conscience of nature, stripped of all pretense. This is not a god you love. This is a force you revere. A power you fear with a fear that is the beginning of wisdom. Panjurli is the spine chilling reminder that the land we build upon is alive, watching, and must be respected. It is the ancient, brute root that holds the community fast, lest it be washed away by the monsoon of its own transgressions. "Mana bhakti botji ayi. Mana baka didi ayi." (Our devotion is a raw offering. Our prayer is a naked truth.)" #pajurli #kantara #bhakti #scrolllink
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  • #Beautiful #Nature with #RuralLife - #Harvest #beautiful and #sweet red #grapes
    #Beautiful #Nature with #RuralLife - #Harvest #beautiful and #sweet red #grapes
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